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Maciek Schejbal

Maciek Schejbal grew up in Cracow, Poland where he earned a Masters Degree in classical percussion from the Academy of Music. He honed his craft in the jazz, fusion, classical, and avant-garde scenes of Cracow and taught at local music schools. He had the great fortune to share the stage with legends of Polish song, Ewa Demarczyk and Marek Grechuta, from whom he learned the art of performance. After performances with the Cracow Radio Symphony Orchestra in England (which included the world premiere of Penderecki's Polish Requiem), he decided to stay behind in London and after several months emigrated to South Africa.

Maciek’s decade in South Africa allowed him to continue to develop his wide-ranging musical interests. He performed with the Johannesburg and Cape Town symphony orchestras, jazz and African music artists including Winston Mankunku, Robbie Jansen, Basil ‘Mannenberg’ Coetzee, The Genuines, and many others; theater and dance groups as well as teaching drums at many centers around the country, including Mega Music in Johannesburg, 1820 Foundation in Grahamstown, Cape Town's Musical Action for People's Progress, The Jazz Workshop and the University of Cape Town.

Schejbal's extensive involvement with the progressive theater circles of the Market Theater in Johannesburg allowed him to compose and perform his own music for several theater productions, which received both popular and critical acclaim. He wrote and workshopped music for Barney Simon's 'Flight', and Gary Gordon's 'Anatomical Journey of a Settler Man', among other productions. Collaboration with actor Andrew Buckland brought 'No Easy Walk', an award-winning mime and music piece and 'Thing?', a play for three actors and three musicians.

Since his arrival in New York in 1993 Maciek has worked mostly with African performers, including a nearly 15- year collaboration with Cameroonian singer Kaïssa. He produced her first album, 'Looking There', and directed her various ensembles in venues across the globe. Maciek also worked extensively with a South African great Tony Cedras, their duet EP is in the works.

Maciek has been a faculty member of the Drummers Collective music school in Manhattan since 1998, teaching drums and music production.

In the fall of 2018 Maciek released his solo album Afro-Polka featuring John Patitucci, Jerome Harris, Bakithi Kumalo, Brian Charette and many other, top-tier, New York musicians.

Maciek endorses Canopus drums, Remo skins, Sabian cymbals, Vic Firth sticks, Axis Percussion hardware, and RTOM practice pads.

Awards

Grahamstown Arts Festival 1987, Pick of the Fringe Award for 'No Easy Walk'


Tags

(...) His playing of rhythms such as the bikutsi is as spectacular as it is effective, making him a serious candidate for a place in the pantheon of Cameroon's greatest drummers. (...) -Jean-Jacques Dikongue Tribune 2 l'Artiste, Paris, France

(...) Schejbal gives a virtuoso performance. He uses a great range of instruments, from a sophisticated xylophone and two marimbas to dramatic drums and cymbals (...) -RRW Nixon Eastern Province Herald, South Africa

Music

Recordings: As Leader | As Sideperson

Afro-Polka

Afro-Polka Productions
2020

buy

Tony Cedras and...

Afro-Polka Productions
2020

buy

Kaïssa-Looking There

Makai Records
2005

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