Marilyn Crispell is a graduate of the New England Conservatory of Music where she studied classical piano and composition, and has been a resident of Woodstock, New York since 1977 when she came to study and teach at the Creative Music Studio. She discovered jazz through the music of John Coltrane, Cecil Taylor and other contemporary jazz players and composers. For ten years she was a member of the Anthony Braxton Quartet and the Reggie Workman Ensemble and has been a member of the Barry Guy New Orchestra and guest with his London Jazz Composers Orchestra, as well as a member of the Henry Grimes Trio, Quartet Noir (with Urs Leimgruber, Fritz Hauser and Joelle Leandre), and Anders Jormin's Bortom Quintet. In 2005 she performed and recorded with the NOW Orchestra in Vancouver, Canada and in 2006 she will be co-director of the Vancouver Creative Music Institute and a faculty member at the Banff Centre International Workshop in Jazz.
Music and the Creative Spirit
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June 29, 2013
Enter the "Gary Peacock and Marilyn Crispell - Azure" Giveaway at All...
September 08, 2009
Marilyn Crispell Interview
April 10, 2009
The Jazz Session #52: Marilyn Crispell
August 10, 2006
Marilyn Crispell, Saturday, Aug. 19--Maverick Jazz Series Woodstock, NY
July 22, 2004
Daniel Abrams and Marilyn Crispell Rehearse For Tristan's Promise
March 09, 2002
Lee Konitz, Marilyn Crispell, Geri Allen, Ray Brown, Holly Hofmann...
Hearing Marilyn Crispell play solo piano is like monitoring an active volcano. She is one of a very few pianists who rise to the challenge of free jazz.
Jon Pareles, N.Y. Times
Ms Crispell has created a rich personal expression that is breathtaking in its originality and visceral energy.
Amy Duncan, Christian Science Monitor
seeing and hearing Crispell play live is a stunning experience.... a passionate motivation that approaches shamanistic spirituality.
labyrinthine structures held together by a deeply personal logic
one of the most technically brilliant, imaginative and impassioned contemporary musicians now expanding the expressive potential of the piano.
Derk Richardson, The East Bay Express (CA)
Her improvisational approach is so personal, so explosive and so devastating that it makes jazz (and most other music) sound like the archaic language of an ancient people