A product of America's rich aural folk tradition as well as classical music, Mark O'Connor's creative journey began at the feet of a pair of musical giants. The first was the folk fiddler and innovator who created the modern era of American fiddling, Benny Thomasson; the second, French jazz violinist, considered one of the greatest improvisers in the history of the violin, Stephane Grappelli. Along the way, between these marvelous musical extremes, Mark O'Connor absorbed knowledge and influence from the multitude of musical styles and genres he studied. Now, at age 49, he has melded and shaped these influences into a new American Classical music, and a vision of an entirely American school of string playing. As The Los Angeles Times recently noted, he has crossed over so many boundaries, that his style is purely personal.
One of the most spectacular journeys in recent American
music. - The New York Times
One of the most talented and imaginative artists working in
music -- any music -- today. - The Los Angeles Times
Brilliantly original. - The Seattle Times
The audience was on its feet . . . They were moved by Mr.
O'Connor's journey without maps, cheering for the only
musician today who can reach so deeply first into the refined,
then the vernacular, giving his listeners a complex,
sophisticated piece of early-21st-century classical music and
then knocking them dead with the brown-dirt whine of a Texas
fiddle. - The New York Times