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Michael Glynn
Moving to Albuquerque in 2006, he quickly established himself as an integral part of the New Mexico music scene, performing and recording extensively, and also making time to earn his Master of Music degree from the University of New Mexico, studying with Mark Tatum. In 2012 Michael moved to the Palo Alto for a year where he worked with musicians all around the Bay Area and was on the faculty of the Stanford Jazz Workshop.
In addition to performing with countless local musicians throughout the Pacific Northwest, California, and New Mexico, Glynn has performed with jazz legends including Bud Shank, Jon Hendricks, Bobby Shew, Mark Levine, Dave Grusin, Geoffrey Keezer, Seamus Blake, Eric Alexander, David Hazeltine, Benny Green, Gary Smulyan, Don Lanphere, Conte Candoli, Bob Florence, Doug Lawrence, William Parker, Kevin Hays, Kim Richmond, Aaron Parks, Madeline Eastman, Dena DeRose, and the Cab Calloway Orchestra. Michael has performed around the United States and in Canada, Switzerland, France, the Netherlands, Oman, and Trinidad and Tobago. On top of his jazz work, Michael performs in a variety of other genres, including classical work with the New Mexico Philharmonic, the New Mexico Symphony Orchestra, Opera Southwest, and Canticum Novum Santa Fe, calypso with steel drum legend Ray Holman, and a mix of Arabic and Western music with Iraqi-American oud virtuoso Rahim Al Haj.
Michael currently resides in Seattle, Washington.
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Ray Vega & Thomas Marriott East West Trumpet Summit: Coast to Coast
by Jack Bowers
Coast to Coast is the third East West Trumpet Summit recorded by Ray Vega and Thomas Marriott in a musical partnership that has spanned nearly three decades. The years have been kind, and when it comes to playing persuasive jazz, neither Vega nor Marriott appears to have lost a step. Marriott, a native of Seattle, and Vega, New York-born and bred, first met in 1995, and the mutual admiration and respect was immediate. Their first two albums as co-leaders were ...
read moreRay Vega & Thomas Marriott East West Trumpet Summit: Coast to Coast
by Paul Rauch
For some people, the whole notion of an east-west summit of anything in jazz brings up the perceived differences over time between American west coast jazz and its east coast counterpart. The basic premise is that jazz on the American west coast is a cousin to the cool jazz movement, a calmer, less soulful part of the tradition that relies more on composition and arrangement than the playing of individual improvisers. East coast jazz is seen more as hard driving, ...
read morePhil Parisot: Inventions
by Jack Bowers
Even at a time when jazz has broadened its horizons to encompass music from a wide variety of sources, it is not often that one happens upon a jazz album inspired by the life and music of Johann Sebastian Bach. However, that is the premise animating drummer Phil Parisot's sunlit Inventions, an astute post-bop session wherein Bach's muse may be present but whose point of view, exemplified by Parisot's stylish compositions, is decidedly contemporary. The truth is, if ...
read moreJared Hall: Seen on the Scene
by Jack Bowers
Seen on the Scene, Seattle-based trumpeter Jared Hall's second album as a leader, has a lot going for it: tight-knit group unity and tasteful dynamics; bright, technically polished solos by all hands; and engaging tunes by Hall and the late bop master, Tadd Dameron. As a bonus, the acclaimed alto saxophonist Vincent Herring is “on the scene" to share the front line with Hall, elevating the session whenever he assumes the spotlight. Hall's sound is crisp and ...
read moreJared Hall: Seen on the Scene
by Paul Rauch
In many ways the title Seen on the Scene encapsulates trumpeter Jared Hall's story leading up to the studio session in 2018 which resulted in this, his sophomore release. The native of Spokane, Washington, arrived in Seattle in 2015 after completing studies with mercurial trumpet ace Brian Lynch and, almost immediately, scored a residency at Tula's, the city's legendary jazz spot. Sporting new compositions and a new recording on Lynch's Hollistic MusicWorks label, Hall went about establishing himself on the ...
read moreJared Hall: Seen on the Scene
by Dan McClenaghan
With Seen On the Scene, his Origin Records debut, trumpeter Jared Hall offers up the sort of fresh bebop/post bop sounds found on the Blue Note Records label in the late 1950s and early 1960s. Horace Silver and Art Blakey and the Jazz Messengers seem to serve as touchstones, as does pianist / composer Tad Dameron, too. Hall's quintet—the familiar trumpet and sax and rhythm section line-up—takes on a pair of Dameron's classics: “Mating Call," and two versions of “If ...
read moreRyan Burns: Postponed Parade
by Dan McClenaghan
Keyboardist Ryan Burns' Postponed Parade happened, in large part, because of the Covid-19 pandemic. The vexing virus that hit us in 2020 made getting together difficult and dangerous--for music-making or anything else. So here is what Burns did: During Covid-19 times he recorded and released a single tune each month, from May to October 2020. These sessions took place in his contributing musicians' houses, with the exception of “Shoreline," recorded in a studio, but with everyone in a separate room. ...
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One Day at a Time
From: East West Trumpet Summit: Coast...By Michael Glynn
From the Ancestors
From: InventionsBy Michael Glynn
Seen on the Scene
From: Seen on the SceneBy Michael Glynn
