“Michael Gregory Jackson has long been one of my favorite musicians. We came along around the same time and I have always considered him to be one of the most significantly original guitarists of our generation with his own distinctive sound and point of view. I am always curious to know what he is doing and where his inspiration has taken him next.” Pat Metheny 2015
African-American composer, innovator, guitarist, improviser, sound explorer, educator and poet. By age 20 Michael was an integral part of the fertile New Haven CT music scene, creating music with composers Wadada Leo Smith, Anthony Davis, Gerry Hemingway and others. Upon his arrival in NYC he was widely considered one of the most innovative guitarists to emerge during New York’s avant-garde loft scene in the 70s. Michael stands as a pioneer of a new movement, one in which genres and sounds were suddenly mixed in new and inventive ways. Rolling Stone magazine called him the most original jazz guitarist to emerge since the sixties. Michael embodies the nature of a true and natural artist, perpetually cultivating new ideas and directions.
Jackson’s brilliant technique on electric and acoustic, flavored with quicksilver runs, volume pedal swells and sudden shifts from crystalline melodic to fuzzy dissonance, has been name-checked as a critical influence on such 6-string greats as Bill Frisell, Vernon Reid, Brandon Ross, Elliot Sharpe and others.