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Michael Herring's Vertigo
Michael Herring's Vertigo featuring David Binney
The “unusual instrumental colours, carefully composed rhythmic structures and catchy-but-offbeat melodies” (J.D. Constidine, The Globe and Mail) of Michael Herring’s Vertigo have been amped-up by the addition of New York saxophonist David Binney, enabling Vertigo to transcend standard jazz fare. Binney, called “something brand-new a wind stirring up the status quo of the current jazz scene” (Thomas Conrad), adds the fire of the Downtown scene to Vertigo’s mix of groove-driven composed and improvised elements. Herring’s compositions for Vertigo are “forthright, well-organized ventures with tight horn arrangements, ensemble colors and rhythmic buoyancy” (Jay Collins, SIGNAL to NOISE), and naturally possess the voice of the younger Downtown scene
“one of the most exciting and interesting [albums] to arrive this year… The ensemble passages are all rich in texture, catchy hooks relieve the aura of intellectual rigour, the boss's bass soars and swoops and the overall impact is tremendous” Geoff Chapman - Toronto Star
“[a] Toronto bassplayer with a penchant for contemporary grooves, colours and energy… cutting-edge but accessible sounds inspired by New York's downtown jazz innovators” Doug Fischer - The Ottawa Citizen
Michael Herring has established himself as one of the most creative musicians on the Canadian scene..
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