On Twelve Preludes and Fugues for Saxophone Quartet:
”Michael Pagán’s Twelve Preludes and Fugues for Saxophone Quartet is a monumental
addition to the saxophone quartet literature. A substantial, creative and compelling
work; I believe that listeners and performers alike will find its blend of classical and
jazz styles stimulating and profoundly rewarding.”
Tim Timmons, Professor of Saxophone
University of Missouri Kansas City
“Pagán’s mastery of contrapuntal sophistication is on full display here...by far, the
most swinging chamber music I’ve ever heard.”
Wayne E. Goins, Jazz Ambassador Magazine
“...a showcase for Michael Pagán’s seemingly boundless eclecticism...“
Lucidculture.wordpress.com
“I have never heard such magnificent music composed for a saxophone quartet.”
David J. Gibson, Editor, Saxophone Journal
On Three for the Ages:
”...a superior recording leaving little doubt that this pianist is a dynamic artist and
musical force in today's jazz world.”
Edward Blanco, allaboutjazz.com
“This is as masterful a piano trio effort as one can hear, anywhere, covering thoughtful
ballads, midtempo swing, and the gorgeous original title track...Pagán delivers with
clarity, reverence for melody, harmonic choices that reflect a broad emotional palette
and luxurious spaces that allow each note to breathe fully. Bassist Bowman is a perfect
foil and artful soloist throughout, drummer Ray DeMarchi a shimmering timekeeper”.
Andrea Canter, Jazzpolice.com
“Piano heroes like Bill Evans, Hank Jones, Tommy Flanagan and Alan Broadbent have
laid the groundwork for the elegant, in-the-pocket pianist Michael Pagán. Like theirs,
his approach is to find both the beauty and the swing in the music. And, like them, his
trio is just that...a trio where each player makes a significant contribution...the arrival
of Michael Pagán in the small circle of jazz pianists who listen first and then find their
own voice”.
George Fendel, Jazz Society of Oregon
“Blessed with a beautiful touch and a steady stream of ideas to match, Pagan makes
music that is beautiful and honest with tradition firmly in hand...Pagán and his trio
have created an organ of beauty that stands out in the crowded foyer of
piano/bass/drums jazz trios, but more for its command of subtlety than its overt
pyrotechnics”.
Michael G. Nastos, All Music Guide
On Pag’s Groove:
“Now comes Michael Pagán, whose recording unveils a writer of uncommon ability and
perception...Who knew he could make a big band sound so marvelous?...Pag’s Groove
is a stellar album from start to finish, and as concerns Pagán’s big-band writing and
arranging skills, that cat is out of the bag for good.”
Jack Bowers, Cadence Magazine
“A fine pianist, [Pagán] is also, as this exceptional example of swinging big band jazz
proves, a hugely talented composer arranger...he has the ability to conjure up
scintillating lines, fondness for artful counterpoint, great attention to detail and clarity
of focus.”
Ray Comiskey, The Irish Times
“With bold dynamics, Pagán has crafted an original and compelling big band sound...A
start-to-finish fine big band outing.”
Dan McClenaghan, allaboutjazz.com
“Michael Pagán is a musician/educator and an excellent mainstream jazz pianist who
deserves a lot more renown...Special attention has to be paid to ‘Lyric Interlude.’ It
will grab you. The composition opens and closes as a bossa nova with eloquence...The
core, however, is a majestic brass chorale. An inspired combination...Pag’s Groove is
quality all the way.”
Bill Falconer, Jazzreview.com
“As it turns out, KC managed to snare this gifted composer away...to the friendly
confines of UMKC, where the already formidable Bobby Watson gets a chance to
showcase Pagán’s talents as a pianist, arranger, and composer...[Pag’s Groove] will
leave no doubt about how lucky UMKC is to have him as the latest addition to the
family.”
Wayne Goins, Jazz Ambassador Magazine
Director of Jazz Studies, Kansas State University
“The music has an extra-ordinary quality of sounding very relaxed but at the same
time, careful listening reveals a quality and depth that suggests that the album has
been drawn from an exclusive archive of defining performances, in short there is a
timeless quality about it...This is contemporary big band jazz at its most rewarding...a
must have!”
John Kiloch, mainlybigbands.com
On Nobody Else But Me:
“Michael Pagán deserves recognition as a superior jazz pianist.”
Scott Yanow, All Music Guide
“If Bach had played jazz, it might have sounded like this.”
Brad Weismann, Colorado Daily
“An elegant classicist...Pagán flies solo with perfect assurance.”
Bill Gallo, Westword
“Pagán’s melodic intelligence shines...simple and wonderfully effective.”
David Lewis, Cadence Magazine
On John Hines In the Pocket:
“Michael Pagán has a particularly light touch and his piano is the ideal companion for
the leader’s trombone.”
Paul Donnelly, ejazznews.com
“...and I can’t say enough about pianist Pagán’s part...when he gets his spot, things
go to a level I didn't suspect existed.”
Dan McClenaghan, allaboutjazz.com
On Duo:
“This recording features the ‘Cadillac’ of vibraphone and piano duo performance by
Doug Walter and Michael Pagán...There are really no words to describe the magic of
this duo’s ensemble precision...Duo should be on everyone’s ‘must buy’ list.”
Lisa Rogers, Percussive Notes
On “Is Waiting For You”
”He certainly knows the jazz tradition...the musicianship is excellent...and the leader
[Pagán] has a very clean approach devoid of any clichés. Solid.”
Mark Ladson, Marge Hofacre’s Jazz News
“Pagán is a fine pianist from a technical standpoint but he does not give in to garish
display of his talents. The articulation of his lines, which move from blues to bop in a
heartbeat, is impressive...Is Waiting for You is a subtle knockout.”
Richard B. Kamins, Cadence Magazine
“He has a crisp touch and a very full piano style...there's excellent rapport between
the pianist and the two rhythm men...a convincing debut for the group...”
John Chadwick, Jazz Journal
“Pianist and composer Michael Pagán has a range as dramatic as the seasons’ changes
outside his windows...this is one of the finest bop-oriented dates I've listened in on
lately.”
Andrew Bartlett, Arts Midwest
“Pagán delivers the whole package - melody, harmony and rhythm in abundance.
Beyond that, he is an eye-opening and ear-catching pianist, technically sound and
conspicuously resourceful.”
Jack Bowers, www.allaboutjazz.com
From Live Performances:
“Dynamite piano stylings...his performance was jazz- inspired through-and-through
and the audience loved it.”
Dominic Papatola, Duluth News-Tribune
“Sophisticated piano work”
Inside Chicago Magazine
“...unmatched piano virtuosity...Michael’s keyboard skill is unbelievable...a memorable
evening of superior jazz musicality.”
Ed Fenner, KC Jazz Voice LLC
On Impromptu, Chorale & Fugue for Woodwind Quintet:
“Bright, modest neoclassicism...played with energy and flair”.
Tim Page, The New York Times
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