As It Should Be: Ballads 2, the 14th album of tenor and soprano saxophonist Michael Pedicin’s prolific career, is in many ways akin to his acclaimed 2011 CD, Ballads… searching for peace. Ballads showcasing the exquisitely lyrical aspects of Pedicin’s playing are again the focus, but with a difference. Other than the John Coltrane classic “Crescent” and an especially tender treatment of Paul Simon’s “Bridge Over Troubled Water” (a tune rarely performed in a jazz context), eight of the disc’s 10 songs were composed as ballads by the saxophonist’s longtime collaborator, guitarist Johnnie Valentino. Several of them, however, were treated to somewhat brighter grooves than had been originally intended after the musicians got to the recording studio, particularly “From Afar,” which was double-timed at a bossa-nova-like clip by drummer Justin Faulkner and percussionist Alex Acuña.
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Whether you know it or not you've been digging Pedicin's sax for 45 years . . . With a
jazz suite inspired by the happenings in Newtown, this soulful set shows an artist
continuing to hit new high spots while at the top of his game.
Michael Pedicin Jr. tempered the soft-focus lyricism that the quartet’s saxophone
chair has demanded
with some discreet John Coltrane devices and an attractive sense of spacing and
drama. —The New York
Michael Pedicin Jr. seems more dedicated to his art than to radioplay. —Downbeat
Pedicin stretches on tenor in a Breckeresque fashion. —Downbeat Magazine
Willing to teach
Advanced students only.
Saxophone instructor at University of the Arts, 1974-2000.
Senior lecturer at University of the Arts, jazz studies.
Director of jazz studies, Temple University, 1981-1988.
Currently associate professor of music/coordinator of jazz studies.....Richard Stockton College of New Jersey