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Morton Feldman

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4
Album Review

Morton Feldman: Piano and String Quartet

Read "Piano and String Quartet" reviewed by John Eyles


It seems almost inevitable that the five-star, five-disc box set Morton Feldman Piano (Another Timbre, 2019), by Apartment House pianist Philip Thomas, should overshadow Feldman releases on Another Timbre and other labels, not least because of its six-hour duration and Thomas' exquisite performances. However, as the Another Timbre catalogue reveals, there is far more to Feldman than his compositions for solo piano. Two Pianos and other pieces, 1953-1969(Another Timbre, 2014) featured Thomas and John Tilbury playing pieces for two pianos, ...

4
Album Review

Philip Thomas: Morton Feldman Piano

Read "Morton Feldman Piano" reviewed by John Eyles


Everything about this six-hour, five-disc box-set of Morton Feldman piano music radiates the care, attention-to-detail and, yes, love that have been invested in producing it. The artwork, packaging, documentation and information are all second to none, as is the crystal-clear recording quality. Any cynic questioning the need for another exquisitely-produced box-set should note that, among its one-hundred-and-fifty-plus releases to date, this is only the second box-set issued by Another Timbre, the first being the much-praised six-disc Wandelweiser und so weiter; ...

3
Album Review

Morton Feldman: Piano, Violin, Viola, Cello

Read "Piano, Violin, Viola, Cello" reviewed by John Eyles


"Piano, Violin, Viola, Cello" (often abbreviated to “PVVC") was Morton Feldman's final composition, receiving its premiere on July 4th 1987, less than two months before the composer's death from pancreatic cancer on September 3rd. This recording of the piece dates from January 2017 at Henry Wood Hall, where it was recorded by Simon Reynell. The quartet of Mark Knoop on piano, Aisha Orazbayeva on violin, Bridget Carey on viola and Anton Lukoszevieze on cello had performed “PVVC" the previous September ...

1
Lyrics

L’arte di ascoltare. Tre nuove uscite dalla Another Timbre

Read "L’arte di ascoltare. Tre nuove uscite dalla Another Timbre" reviewed by Enrico Bettinello


Tra le etichette che indagano le sonorità contemporanee sperimentali tra composizione e improvvisazione, con una particolare attenzione agli ambiti più minimali e silenziosi, la Another Timbre si è conquistata in questi anni un posto di assoluto e meritato rilievo. La materia, si sa, non è di facile gestione. Spesso si tratta di proposte che richiedono all'ascoltatore una forte volontà di contribuire al senso stesso della musica e questo è certamente un elemento che--Cage insegna--è di grande fascino ...

6
Album Review

Morton Feldman: Two Pianos and other pieces, 1953-1969

Read "Two Pianos and other pieces, 1953-1969" reviewed by John Eyles


It has become a truism that AMM pianist John Tilbury is an interpreter of Morton Feldman's music par excellence--one of the very best, if not the best. Such opinions are backed up by his Feldman recordings such as Morton Feldman: All Piano (LondonHALL, 1999), Triadic Memories--Notti Stellate A Vagli (Atopos, 2008) and For Philip Guston (Atopos, 2013). Developed over decades, his touch, timing and note placement make Tilbury's readings of Feldman fresh and alive--as close to definitive as one could ...

247
Album Review

Morton Feldman: Neither

Read "Neither" reviewed by Raul d'Gama Rose


Neither is not an opera in any sense of the conventionally accepted form. There is no story, a dramatis personae of just one; no mise-en-scène... and no libretto; just 87 words by the poet and playwright, Samuel Beckett, set down on a page as if it were poetry. While there is a distinct drama in the presentation of the words and music, the absence of theater is palpable. However, there is an almighty intensity that arises from the deeply emotional ...

458
Album Review

Morton Feldman: The Viola in My Life

Read "The Viola in My Life" reviewed by John Kelman


Composer Morton Feldman (1926-1987) is most often remembered for his spare, often slow and lengthy compositions, where space is a key component. Kronos Quartet's version of Piano and String Quartet (Elektra/Nonesuch, 1991) is a prime example of the richness and depth Feldman achieved through use of space and gradual, almost imperceptible evolution. While scored, Feldman's Indeterministic or Aleatoric music--where one or more aspect of the composition is left for the artist to define (Terry Riley's “In C" is another fine ...

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239

Recording

Morton Feldman "For Bunita Marcus" (Hat(Now)Art 174)

Morton Feldman "For Bunita Marcus" (Hat(Now)Art 174)

Source: All About Jazz

Morton Feldman For Bunita Marcus performed by Hildegard Kleeb hat(now)Art 174

Feldman once wrote that... “Renoir said that the same color, applied by two different hands, would give us two different tones. In music, the same note, written by two different composers, gives us—the same note. When I write a B flat, and Berio a B flat, what you get is always B flat. The painter must create his medium as he works. That’s ...

206

Recording

New Hat(Now)Art Releases Available: Morton Feldman: For Samuel Beckett and John Cage: Imaginary Landscapes

New Hat(Now)Art Releases Available:  Morton Feldman: For Samuel Beckett and John Cage: Imaginary Landscapes

Source: All About Jazz

Morton Feldman: For Samuel Beckett (1987) performed by Ensemble Modern (reissue) hat(now)ART 142 Total time 43:36, ADD, Barcode: 752156014225 For Samuel Beckett is a late (1987) work, rich in detail and lush in sound (especially in relation to so many of his more austere pieces, early and late), but troubling, obsessed, claustrophobic in spite of its scope. Given their shared attraction to shadow (Feldman's music uses chiaroscuro in the way Beckett meticulously exploited darkness and light ...

Music

Recordings: As Leader | As Sideperson

Morton Feldman Piano

Another Timbre
2019

buy

Piano, Violin, Viola,...

Another Timbre
2017

buy

Two Pianos and other...

Another Timbre
2014

buy

Neither

Hat Hut Records
2011

buy

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