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Evan Parker / Barry Guy / Paul Lytton
Evan Parker / Barry Guy / Paul Lytton: Concert In Vilnius
by John Sharpe
In a world riven by climate chaos and the attack on truth, on both sides of the Atlantic, it is reassuring that some things remain constant. At this stage of an existence dating back to the early 80s, the superlative British trio of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton plays only a few concerts each year. When they do, the results tend to the spectacular, and Concert In Vilnius only affirms that. In fact, when taken ...
read moreEvan Parker / Barry Guy / Paul Lytton: Music For David Mossman
by John Sharpe
Over 35 years and counting. It's fair to say that the British trio of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton constitutes one of the longer-lived units in the free improvised realm, a domain often distinguished by its tendency towards ad hoc groupings. So, with a discography over two score in size, you can be sure that when a new release arrives it documents something worth hearing. And that is indeed the case with ...
read moreEvan Parker / Barry Guy / Paul Lytton: Music For David Mossman / Live At Vortex London
by Mark Corroto
Spinning the latest release by the trio of Evan Parker, Barry Guy, and Paul Lytton brings to mind The Rolling Stones. Like the Stones, these musicians have been performing together since the 1960s, and seemingly every time they perform, they conjure a crossfire hurricane. This 2016 live performance at London's Club Vortex is no exception. The musicians began this formal trio in 1980, initially releasing (the now out-of-print LP) Tracks (Incus, 1983). Fifteen titles and thirty-six years later, ...
read moreEvan Parker / Barry Guy / Paul Lytton: Nightwork: Live At The Sunset
by Mark Redlefsen
Nightwork: Live At The Sunset captures an amazing live performance in early 2010 from saxophonist Evan Parker, bassist Barry Guy, and percussionist Paul Lytton. The virtuosity and high communication level between these three improvisational masters is front and center for its two improvised pieces. There is a stark contrast in how the three work together in this trio versus the larger context of Parker's Electro-Acoustic Ensemble, creating a sound that appears brighter and more direct. The opener, ...
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