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Kevin Bujo Jones

Kevin Jones is a percussionist, band leader, producer, educator. A native of Englewood, New Jersey, Kevin grew up in a household immersed in jazz, soul, gospel and blues, from Charlie Parker and Lou Rawls to Nat King Cole and Mahalia Jackson, along with the pop and R&B legends of the times. Reportedly, Kevin’s grandmother, Maggie Walker Jones, once played with (and maybe even recorded with) Bessie Smith. The arts of all types were nurtured in the Jones household and piano lessons were a requirement, not an elective.

Jones traces his percussion expertise to the age-old ‘academy of the streets.’ Over the years Kevin has evolved an increasingly comprehensive approach to percussion, commanding respect from artists such as the Isley Brothers, Whitney Houston, Winard Harper, and Reggie Workman.

At age 10 began Kevin showing interest in playing hand drums. Neighborhood drummers were prone to testifying on front lawns and park benches, hand drums and various percussive enhancements in tow; their massaging, pulsating, skin-on-skins thoroughly hooked the impressionable youngster. Among these master drummers were Marvin “Bugalu” Smith (Sun-Ra, Archie Shepp, Mal Waldron), Earl “Buster Smith (Eric Dolphy, Sun-Ra), Karl Potter (The Isley Brothers, Pino Daniele) and Babatunde Lea (Pharoah Sanders, Leon Thomas), who all spent time with and made a long-lasting impression on the young Kevin’s life.

At 18 Kevin was asked to record an album with alto saxophonist Charles McPherson at the urging of Kevin's long time friend Charles  “Chuck" McPherson Jr. Kevin and Chuck recorded "Free Bop" in the summer of 1978. Soon to follow was Kevin's tenure in Archie Shepp's Attica Blues Big Band in 1979 when he recorded a double album. Just a couple of months later Kevin was asked to join iconic and legendary soul and R&B group, The Isley Brothers; a relationship that lasted for 13 years with multiple tours and 9 different recording projects. In between that time Kevin was able to join forces with Whitney Houston for 4 glorious years touring and making many television appearances.

Kevin continued to study his craft and learn from whoever he could while working in all sorts of settings. From Reggie Workman and Winard Harper to Randy Weston and Luisito Quintero, Kevin stretched the boundaries of his craft.

In 1999 Kevin started to focus on teaching as a passion by working with The Bronx Arts Ensemble to Arts Horizons and the Jazz at Lincoln Center Rhythm Road Jazz Ambassador's project.

During his career he has had the opportunity to share the stage or recorded alongside of Hilton Ruiz, Walter Bishop Jr., Harold Vick, Grady Tate, Frank Wess, Jamil Nasser, Ray Copeland, Joey DeFrancesco, Teodross Avery, Ameen Saleem, Pat Martino, Jim Rotundi, Eric Alexander, Vince Ector, Papa John DeFrancesco, Melvin Sparks, Art Blakey Jr., John Benitez, Bebe and Cece Winans, Jermaine Jackson, Angela Winbush, Norman Simmons, Luisito Quintero, Billy Hart, Frank Lacy, Luis Perdomo, Alex Blake, Randy Weston, Winard Harper, Jimmy Owens, Billy Harper, Reggie Workman, Steve Turre, Michael Dease and Bob DeVos.

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Kevin “Bujo” Jones: Jazz as a Part of The Continuum

Read "Kevin “Bujo” Jones: Jazz as a Part of The Continuum" reviewed by Jane Kozhevnikova


Jazz musicians can be found working in any other music styles, probably because jazz gives great flexibility and freedom of expression that can be easily applied to any music. Kevin “Bujo" Jones, a percussionist born in Englewood, New Jersey, and residing in Grand Rapids, Michigan, feels equally comfortable playing jazz and non-jazz. Moreover, he does not separate jazz from soul, r'n'b and gospel, but views those styles as a part of the same continuum. Throughout his career, Jones ...

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