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Jimmie Vaughan
When it comes to the blues today, there are a handful of guiding lights to make sure the music stays true to its powerful source. The sound of pleasure and pain that first sparked musicians to create such a sound is a force that can never be underestimated. The mojo has to be there. For Jimmie Vaughan, he's dedicated his life to making sure the blues not only stays alive, but remains full of life and an inspiration to all who listen. It's a spirit he holds close to him, and for over 50 years of holding the blues close inside him, Vaughan isn't about to stop now.
Jimmie Vaughan's new album, BABY, PLEASE COME HOME, is a rolling and righteous celebration of everything the blues can be. The songs can go up, down, sideways and even off in their own distinctive direction, but one thing is certain, each and every one of them is packed with pure feeling and striking originality. That's because while the blues is almost as old as America itself, every time a musician lends their soul to living inside these songs, something new comes out. There is a constant reinvention for musicians like Vaughan, because the blues demands it. There can be nothing less than a revelation, because that's how the music stays alive. It is almost like an alchemy exists, where instruments and voice join together to make a joyful noise. And above all else the blues, in the capable of hands of Vaughan and his musical cohorts, is a path to salvation. One that is birthed in the ability of songs to make life on earth a better place to be.
Sometimes it takes decades to finally arrive at a place called home. When a young player starts out as a teenager to find a spot to call his own, there can be enough twists and turns to throw even the most dedicated of souls off the mark. Life can be a tricky endeavor, and between the bright lights and the dark nights, that road ahead can be full of false starts and deceiving roadblocks. But on BABY, PLEASE COME HOME Jimmie Vaughan proves without doubt all his efforts and energy have taken him to the promised land. Maybe that's because blues is really the art of distillation, seeking the sound where there are no extraneous notes, or unnecessary additions to the feeling of freedom. It takes years to get there, and patience is most definitely a virtue. Above all else, feeling is the most important element of all. With that, all else can be conquered.
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Jimmie Vaughan: The Pleasure's All Mine
by Doug Collette
This double CD/triple LP set contains the first two segments of a Jimmie Vaughan musical trilogy begun a decade ago with Blues Ballads and Favorites (Shout, 2010). Succeeded a year later with a similarly-titled follow-up, it has subsequently been long unavailable, but has been reissued in anticipation of the seventieth birthday of Stevie Ray's older sibling and, as such, this composite is a natural companion piece to the final installment, Baby Please Come Home (The Last Music Co., 2019).
read moreJimmie Vaughan: Baby, Please Come Home
by Doug Collette
Jimmie Vaughan has never risen to the level of stardom his late brother Stevie Ray Vaughan attained, but the elder sibling hasn't been any less loyal to the blues during the course of his career. Founding and maintaining the Fabulous Thunderbirds since 1974 (quite a bit prior to the renaissance of the genre his younger and flashier relative ignited), Jimmie Vaughan has also continued a string of solo endeavors, the latest example of which is Baby, Please Come Home. Far ...
read moreJimmie Vaughan: Live at C-Boy's
by Doug Collette
Over the course of eight selections and a total running time of approximately thirty-six minutes, the Jimmie Vaughan Trio make Live at C-Boy's short and sweet, and deliciously so. The band enhances the simplicity of the three piece format with takes on tunes as well-known as Bruce Channel's Hey Baby"and the blues-soul staple Saint James Infirmary," turning the familiarity of the material into a distinct advantages. As a result, the opening number, You Can't Sit Down" sound like an irresistible ...
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