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Gyedu-Blay Ambolley: Gyedu-Blay Ambolley & Hi-life Jazz
by Peter Jones
This is reportedly the 35th album from Ghanaian singer/rapper/tenor saxophonist Gyedu-Blay Ambolley. But although he has toured Europe and the US extensively, he remains relatively unknown in what we call the West." It is a situation that ought to change, and if there was any justice in the world, this is the album that would do it. Ambolley is a leading modern exponent of high-life (or hi-life) jazz, a genre that grew out of the so-called palm wine" ...
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by Chris May
In the beginning, that is to say the 1950s and 1960s, there were two main strands of highlife, Ghana's national dance music. One was rural based, played by ensembles using acoustic guitars and traditional percussion instruments. The other was urban based, played by bands using kit drums as well as traditional percussion, and with large horn sections modelled on American swing orchestras; the style was dubbed dance band highlife." In the 1970s, as electric guitars became commonplace in ...
read moreScott Whitfield & Friends: A Bi-Coastal Christmas
by Jack Bowers
If trombonist Scott Whitfield's A Bi-Coastal Christmas cannot quicken your inner holiday spirit, that will not be for lack of trying. Whitfield uses every ribbon in the packet and every tool in the shed to help make the season bright, from big band to quintet, from duo to solo (Whitfield's trombone all by itself). Two of the selections were recorded in 2004, four others in 2005, whereas Whitfield's brace of solo tracks was taped in 2020 as he cast off ...
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