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Chris Mello
Born in Boston, MA Chris began playing guitar at the age of 12. Growing upin a Portuguese family, his love for diverse music was already apparent, falling in love with the music of artists such as Tom Jobim, Pat Metheny, John Coltrane, and Brazilian composer Ivan Lins. Upon graduating high school he went on to formally study the guitar at the University of Massachusetts.
At an early age he found himself working in the pit orchestras of the Boston scene, musical theater productions, and performing with orchestral groups such as the MET Wind Orchestra and the Boston Pops. Musically he was drawn to studying and performing jazz with local gurus Mick Goodrick, George Garzone, and Rick Peckham, in addition to continuing to work with Brazilian, Salsa, and other world music groups.
In 2000 he completed his Master's degree at the illustrious University of North Texas as a Teaching Fellow in the Jazz Department. While studying he also toured with the 25 year-old Dallas Jazz Orchestra and served as a staff columnist for Just Jazz Guitar Magazine.
In 2007 Chris completed his Doctoral Degree in Music within the Studio/Jazz Guitar Department at the University of Southern California in Los Angeles. He has authored numerous works currently in print, including his Doctoral thesis examining World Guitar Dialects published by MEL BAY. As an educator, he currently serves on the faculty at Cerritos College, Rio Hondo College, and Betehsda University in the Los Angeles area.
An active performer in the L.A. scene, he has performed/recorded with: Ernie Watts, Norah Jones, Vanessa Williams, the Dixie Chicks, Cafe Tacuba, Justo Almario, Jeff Kashiwa, Paul Schaeffer, Kenny Wheeler, Giovanni Hidalgo, Dan Higgins, Katia Moraes, Bill Cunlife, Bobby Shew, the Banda Brothers, Shelly Berg, and a host of others. Additionally, Chris has recorded music for Vh-1, Taco Bell, Verizon Wireless, Latin Grammy Awards, Touchstone Pictures, Greenlight Studios, and Disney.
His debut release “THE GLOBAL VILLAGE” delivers a spectacular musical journey that embraces the guitar as the centerpiece within a tapestry of global musical influences from Cuba to Brazil to Africa. The compositions explore fresh new points of the “musical compass” while still delivering an unparalleled level of spontaneity, interaction, and virtuosity that one would expect from a modern jazz recording. "Fusing the infectious rhythms of Latin/South America with the elements of jazz, Mello creates compositions with memorable melodies, lush harmonies, coupled with some truly irresistible grooves.
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Chris Mello: The Global Village
by Jim Santella
Chris Mello's Global Village quintet reaches halfway around the world on this debut CD to interpret his original compositions affectionately. Traces of flamenco, rhumba, bolero and cha cha cha weave through his smooth jazz performance with a natural feel. The program on this contemporary album carries modern impressions from the jazz community as well as the popular music market.
Mello uses several different guitars to achieve his purpose. Acoustic and electric bass, acoustic and electric guitar, percussion and ...
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Recordings: As Leader | As Sideperson