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L'Tanya Mari'

Well respected on the East Coast as an inventive jazz singer, arranger, songwriter and educator, L'Tanya Mari's much-anticipated debut CD as a leader, A Teardrop of Sun is due to be release early 2009. The project is an eclectic mixture of songs that include fresh versions of standards along with numbers that are lesser-known but quite worthy, ranging from straightahead jazz to bossa novas, sambas, blues and modern fusion. "Of the standards, I particularly love 'You Go To My Head,' says L'Tanya. "It connects with and means a lot to many people even though it is decades old. It tells a story that is still relevant and has a life of its own, qualities that I hope are true of all of the songs that I perform."

L'Tanya Mari', who grew up in Philadelphia, has always been surrounded by jazz. "I remember hearing Charlie Parker's recording of 'April In Paris' early on. Noticing that I was resonating more with fusion in my teen years, my father tried to tip the scales a bit by buying me some of the earlier recordings of Sarah, Ella and Carmen. That did it! By the time I was 17, I was out at record stores looking for other jazz vocal albums."

Early signs seemed to indicate L'Tanya was going to be an instrumentalist, as she studied cello for seven year and then added piano into the mix, “but as I tended to hum along with my cello playing, my cello teacher suggested that I should add singing to my list of goals."

While earning a Bachelors Degree in Music Business at Howard University, L'Tanya Mari' was also on her way to becoming a notable jazz singer. She began studying with the celebrated drummer-singer Grady Tate who influenced her phrasing, urging her to always connect with an audience by really feeling the lyrics. While residing in Washington D.C. and the north east corridor, sitting in at jam sessions helped her secure gigs, build up her skills as a jazz singer, and increase her repertoire. Hungry for a deeper musical knowledge, L'Tanya pursued a Masters degree in Jazz Studies at the University Of The Arts while coming into her own as a jazz singer.

Since her graduation, L'Tanya has become an active music educator in addition to performing regularly throughout the Philadelphia and Washington, DC metro area. "I enjoy learning from my students. I have a roster of 40 students on average, and everyone is different. Some are preparing to go to school for jazz vocal and studies, others just want to learn specific things like basic theory, while there are some who just want to learn how to feel comfortable singing in front of people. It is rewarding finding what they need and passing on the knowledge that I have."

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Album Review

L'Tanya Mari': A Teardrop of Sun

Read "A Teardrop of Sun" reviewed by C. Michael Bailey


L´Tanya Mari´ could not help but be so profoundly affected by music, considering her native Philadelphia. After a well-rounded jazz education, including the tutelage of Grady Tate, and establishment as an educator, Mari´ releases her debut, A Teardrop of Sun. Mari´ enters an already crowded market, one populated with as many difference singing styles and accompaniment configurations as there are singers.

How does she make herself stand out? With a perfectly unadorned and simply phrased vocal style riding a perfect ...

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In listening to L’Tanya Mari’s debut CD A Teardrop Of Sun, one is first struck by the beauty of her voice. The next reaction is admiration for her ability to make the difficult interval jumps on Bill Evans’ “Very Early” sound effortless. By the time Ms. Mari’ has displayed her versatility on Milton Nascimento’s “Nothing Will Be As It Was” (great long tones) and the swing standard “I Gotta Right To Sing The Blues,” she has won over both this listener and most likely every audience.

There are many fine female jazz singers on the scene today but, with the release of A Teardrop Of Sun, L’Tanya Mari’ immediately emerges as one of the top contenders. It is not just that she has an inspired repertoire (from Chick Corea’s “Crystal Silence” and “This Is New” to “That Old Black Magic”), impeccable intonation and a pretty voice. Most impressive are her choice of notes, her use of space and silence, and her intelligent way of improvising melodically. She pays tribute to each composer’s intent while uplifting each tune through her phrasing, subtle emotions, and solid sense of swing.

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