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Hashem Assadullahi
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Benjamin Boone: Caught in the Rhythm
by Paul Rauch
The connection between poetry and jazz music is a delicate one. It has been documented so infrequently, in performance and recordings, that one still conjures the flicker of an image of Jack Kerouac reading in some dark Greenwich Village cafe with Steve Allen or Zoot Sims, surrounded by beret-wearing, cappuccino-sipping beatniks. The work of Fresno-based saxophonist Benjamin Boone has assisted in widening that view through four albums recorded for the Origin Records label, including the fourth, Caught in the Rhythm ...
read moreBenjamin Boone: The Poets Are Gathering
by Paul Rauch
Saxophonist Benjamin Boone continues his ambitious foray into jazz and poetry, this time recruiting an impressive cadre of poets for his aptly entitled release, The Poets are Gathering (Origin, 2020). The union of poetry and jazz has never been so powerfly presented, reflecting the past year of the worldwide Black Lives Matter movement, the universal role of the poet, and the power of art and voice to raise awareness and inspire change. The album employs the likes of US Poet ...
read moreHashem Assadullahi: Pieces
by Mark Corroto
Saxophonist Hashem Assadullahi and his core band returned to the studio to release an exceptionally strong sophomore effort with Pieces. The Texas born-Northwest cured-New York-based musician revealed his penchant for melody on his prior release Strange Neighbor (8bells, 2009). Here he builds upon that foundation with a scattering of themes from pop tunes, avant-garde leanings, and some deftly orchestrated group improvisations. Assadullahi's returning partners here are guitarist Justin Morell and trumpeter Ron Miles, who yearly receives the artist ...
read moreThe Hashem Assadullahi Quintet: Strange Neighbor
by Glenn Astarita
Oregon-based musician and educator Hashem Assadullahi introduces a wealth of attention-grabbing points of view into this quintet date, featuring eminent trumpeter Ron Miles. It's a democratic, group-focused modus operandi, spinning with variable harmonic and rhythmic underpinnings, where Assadullahi is more concerned with compositional depth and use of space. Still, the soloists receive ample breathing room to improvise and engage in thematic expansion.
On Hypothesis B--The Wildflower," the quintet merges a sense of quietude via Justin Morell's simple guitar ...
read moreHashem Assadullahi Returns from Thailand for Release of Debut Album Featuring Ron Miles
Source:
All About Jazz
Hashem Assadullahi and his quintet, featuring Ron Miles, celebrate the release of their new CD, Strange Neighbor, a well rounded jazz release with an occasional sense of humor. Denver-based trumpeter Ron Miles, has also appeared with the Duke Ellington Orchestra, Bill Frisell, Don Byron, Gravitas Quartet, and many others. The Quintet also features a critically acclaimed rhythm section including guitarist Justin Morell, bassist Josh Tower, and drummer Jason Palmer. The CD features ten original compositions, six of which are inspired ...
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“The ten tracks have variety that runs from attractive melodies to free playing, slapstick humor, 1920s German cabaret kitsch and what could pass for part of the soundtrack of an Italian Western…This is a substantial debut album for Assadullahi.” -Doug Ramsey- Rifttides
“I put this album on in the car and didn’t take it out for days – reveling in the subtle surprises inherent in the compositions. Assadullahi’s use of space on tunes like “Stale Fortune” and the Wayne Shorter-esque opener “Hypothesis A – The Feign” is exemplary and the band interplay admirable. Miles is great, as we already know, but Assadullahi shows a keen sense of melody and some killer chops as well…Thoughtful music, with energetic bursts; I can’t wait to hear more from these exciting young players.” -Brad Walseth http://www.JazzChicago.net
Primary Instrument
Saxophone
Willing to teach
Beginner to advanced
Credentials/Background
B.M. Music Education University of Texas at Arlington 2004 M.M. Jazz Studies Performance University of Oregon Has held teaching postions at University of Oregon, Lane Community College, Mahidol University, Shedd Institute for the Arts, South Eugene Highschool, as well as teaching private saxophone and improvisation lessons for over ten years.
Clinic/Workshop Information
Hashem has appeared as a clinician and guest lecturer working with big bands, jazz combos, chamber ensembles, wind symphonies, & individuals, working on areas including aural skills, transcription, rhythmic style, melodic improvising, composition, developing practice routines, developing a personal sound, critical listening, learning tunes, fundamentals and more.
Music
Mississippi 1955 Confessional
From: Caught in the RhythmBy Hashem Assadullahi
Against Silence
From: The Poets Are GatheringBy Hashem Assadullahi
User Error
From: PiecesBy Hashem Assadullahi