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Eric Revis

One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has firmly established himself as an important voice in jazz. Branford Marsalis states, “Eric’s sound is the sound of doom; big, thick, percussive.” Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brötzmann, Jeff “Tain” Watts, Jason Moran, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby, the experimental trio he tri-leads with Orrin Evans and Nasheet Waits, as well as another trio, Options, also with Waits, and Bennie Maupin.

Manning the bass chair with Branford Marsalis’s powerfully flexible quartet since 1997, Revis has recorded eight albums with the ensemble in addition to touring the globe with them many times over. Revis has also recorded eight brilliant albums as a leader including 2004’s Tales of the Stuttering Mime and 2009’s ​Laughter’s Necklace of Tears both of which reveal his impressive range as a musician and composer. These were followed by five back-to-back releases on the Lisbon-based label Clean Feed: ​Parallax (2012 with Ken Vandermark, Jason Moran, and Nasheet Waits), ​City of Asylum ​(2013 with Kris Davis and Andrew Cyrille), ​In Memory of Things Yet Seen (2014 with Bill McHenry, Darius Jones, and Chad Taylor), ​Crowded Solitudes (2016 with Kris Davis and Gerald Cleaver), ​Sing Me Some Cry (2017 with Ken Vandermark, Kris Davis, and Chad Taylor). 2020 will see the release of a quintet recording led by Revis and bringing together frequent collaborators Bill McHenry, Darius Jones, Kris Davis, and Chad Taylor to be released on Ms. Davis’s Pyroclastic Records.

Regular festival and club appearances in Europe and North America with his own ensembles include an appearance at the 2016 Newport Jazz Festival where Revis was commissioned by George Wein to write a new piece for his last year as producer of the legendary festival. Revis has also been heard with the late, great trumpeter Tomasz Stańko and in innovative duo settings with pianists Davis and Orrin Evans. He has been a mentor to the next generation as part of the Kennedy Center’s “Betty Carter’s Jazz Ahead”. Currently based in his native California, Revis is a frequent figure on the burgeoning creative music scene in Los Angeles at venues such as the Blue Whale and the Parker Room, including with his newly formed ensemble “Lancaster” featuring Jeff Parker, Guillermo Brown and Joshua White.

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Album Review

Michelle Lordi: Two Moons

Read "Two Moons" reviewed by Geno Thackara


The art of the jazz diva does not shy away from the dark and mysterious. From putting a spell on somebody to helplessly falling under that old black magic, the tradition always seems to include some small touch of witchery, and Michelle Lordi, for her part, does not let a modern-day sound obscure those roots. The mood of Two Moons sits somewhere between a late-night set in a small jazz club and a round of spooky stories around the campfire. ...

13
Album Review

Kurt Rosenwinkel: Undercover: Live At The Village Vanguard

Read "Undercover: Live At The Village Vanguard" reviewed by Chris May


Kurt Rosenwinkel records in a variety of situations, either from inclination or to keep himself and his audience fresh or both. In 2022 alone, he released three unusually diverse albums: Plays Piano, a solo outing on which he plays piano only; The Chopin Project, a co-led disc with pianist Jean-Paul Brodbeck exploring the work of Frederic Chopin; and Berlin Baritone, another solo album, this time playing a baritone guitar. Undercover: Live At The Village Vanguard is back ...

2
Album Review

Jeff Parker / Eric Revis / Nasheet Waits: Eastside Romp

Read "Eastside Romp" reviewed by John Sharpe


Though best known as an experimental guitarist in the likes of Tortoise, Isotope 217 and the Chicago Underground Trio, on Eastside Romp Jeff Parker hews closer to his jazz roots in a co-operative trio completed by bassist Eric Revis and drummer Nasheet Waits. Each a leader, Parker's bandmates possess similarly expansive resumés, making their somewhat introspective group focus here a surprise. On a program of five originals from across the band, one cover and one improv, they combine in the ...

4
Liner Notes

Thomas Marriott: Live From the Heat Dome

Read "Thomas Marriott: Live From the Heat Dome" reviewed by Paul Rauch


A “heat dome" is created when an area of high pressure hovers over an area for days or weeks, trapping warm air underneath. The meteorological phenomena is much like a lid on a boiling pot. In late June of 2021, residents of the Pacific Northwest became plainly aware of what a heat dome is by experiencing three days of severe heat topping 108 degrees, in an area more accustomed to temperatures in the low to mid seventies. The three days ...

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Album Review

Avram Fefer Quartet: Juba Lee

Read "Juba Lee" reviewed by Mark Corroto


Avram Fefer comes out swinging on Juba Lee, the second release from his quartet,. It must have certainly been fated, as the opener “Showtime" hits hard with its muscular sound. Fefer's tenor saxophone blows out any existing cobwebs before handing off to guitarist Marc Ribot. The music continues the rich sound heard on the quartet's critically acclaimed previous release Testament (Clean Feed, 2019). Fefer built this sound first in trio with bassist Eric Revis, and drummer Chad Taylor heard the ...

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Album Review

Thomas Marriott: Live From the Heat Dome

Read "Live From the Heat Dome" reviewed by Dan McClenaghan


Trumpeter Thomas Marriott settled into his groove on the Seattle-based Origin Records. He released more than a dozen discs under his own name there, including the gorgeous Romance Language (2020), a striking ballad set, and Trumpet Ship (2018), a high-energy bop workout. And then there was Crazy: The Music of Willie Nelson (Origin Records, 2008), described as having “a distinctly modern and often brash tone." And “Favoring some serious musical adventurousness." With Live From The Heat Dome that ...

2
Album Review

John Escreet: Seismic Shift

Read "Seismic Shift" reviewed by Mark Corroto


John Escreet's recording Seismic Shift, the pianist's first trio recording, might be the case for the return of warning labels on packaging. Not that there are explicit lyrics or violent images, it is just that the 52 minutes of music contained here are quite tempestuous and unrelenting. By design. Escreet is known for his wide-ranging interests in creative music. He has recorded in both the acoustic and electric realms, performing on instruments including the harpsichord, synthesizers, Fender Rhodes ...

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Birthday

Jazz Musician of the Day: Eric Revis

Jazz Musician of the Day: Eric Revis

Source: Michael Ricci

All About Jazz is celebrating Eric Revis' birthday today!

One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has firmly established himself as an important voice in jazz. Branford Marsalis states, “Eric’s sound is the sound of doom; big, thick, percussive.” Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brötzmann, Jeff “Tain” Watts, Jason Moran, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, ...

1

Event

EastWest JazzScene Concert: Carl Allen, John Beasley, Eric Revis, Ralph Moore and Marquis Hill at Blue Whale

EastWest JazzScene Concert: Carl Allen, John Beasley,  Eric Revis, Ralph Moore and Marquis Hill at Blue Whale

Source: John Beasley

Sunday, February 22, 9:00pm and 10:30pm sets. $20. New York drummer Carl Allen brings his scene to jny: Los Angeles to join pianist John Beasley to lead a quintent for some east-west action. Joining this prospect are east/west coasters bassist Eric Revis, saxophonist Ralph Moore and trumpeter Marquis Hill. Carl Allen’s profound and propulsive percolations provided soulful and syncopated playing with Michael Brecker, Randy Brecker, Benny Golson, Jennifer Holliday, J.J. Johnson, Rickie Lee Jones, Sammy Davis Jr., Branford Marsalis, Kenny ...

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Recording

Armen Nalbandian to release new trio album with Nasheet Waits and Eric Revis, and duet album with Han Bennink on August 23rd

Armen Nalbandian to release new trio album with Nasheet Waits and Eric Revis, and duet album with Han Bennink on August 23rd

Source: Blacksmith Brother

On August 23rd, pianist/composer Armen Nalbandian will release two new recordings via his label Blacksmith Brother Music. The first being a live recording with drummer Han Bennink from January 2008 entitled Coup de Grace. The second being a follow-up to his 2007 trio recording Manchester Born, features Nalbandian on the fender rhodes and in a trio setting featuring bassist Eric Revis and drummer Nasheet Waits. The album comprises of all original compositions by Nalbandian and is entitled “Quiet, as it's ...

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Performance / Tour

JD Allen, Eric Revis and Eric McPherson at The Blue Note, August 14

JD Allen, Eric Revis and Eric McPherson at The Blue Note, August 14

Source: All About Jazz

The JD Allen Trio at The Blue Note Monday, August 14th, 2006 8pm & 10:30pm

JD Allen, tenor / Eric Revis, bass / Eric McPherson, drums

Hailed by the New York Times as “a tenor saxophonist with an enigmatic,elegant and hard-driving style," J.D. Allen is one of the most thoughtful jazz saxophonists on the scene today.

The Detroit natives' apprenticeship has largely been in New York, where he has performed, recorded, and toured with legends Lester Bowie, George Cables, Betty ...

134

Performance / Tour

JD Allen, Eric Revis, and Jeremy Clemons @ The Blue Note (12/26) - ONE NIGHT ONLY!

JD Allen, Eric Revis, and Jeremy Clemons @ The Blue Note  (12/26) - ONE NIGHT ONLY!

Source: All About Jazz

The JD Allen Trio at The Blue Note Monday, December 26, 2005 8pm & 10pm

JD Allen, tenor / Eric Revis, bass / Jeremy 'bean' Clemons, drums

“...a tenor saxophonist with an enigmatic, elegant and hard-driving style..." Ben Ratliff, New York Times on JD ALLEN “...huge sound, unshakeable rhythmic confidence, and a penchant for cohesive, logical bass lines." Ted Panken, Downbeat on ERIC REVIS “...I wondered if he'd just landed on the shores, fresh from the Motherland, that's how versatile ...

135

Event

Eric Revis CD Release Party @ Sweet Rhythm Thursday 8/12

Eric Revis CD Release Party @ Sweet Rhythm Thursday 8/12

Source: All About Jazz

Grammy Award Winning Bassist/Composer *ERIC REVIS* Celebrates His 11:11 Records Recording Debut Tales of The Stuttering Mime at Sweet Rhythm on Thursday, August 12, 2004 Featuring Eric Revis (bass); Orrin Evans (piano); Jeff “Tain" Watts (drums); JD Allen (tenor); Yosvany Terry (alto); Duane Eubanks (trumpet); Oz Noy (guitar)

“Life is a continuum. It must move forward..." (Eric Revis)

Critically acclaimed sideman who started his professional career with Betty Carter and for the past seven years has been a ...

"Eric Revis is one of today's true masters." —Chris Hovan, All About Jazz

“Voted the Best Debut Disc in 2004” —All About Jazz

“Eric stretches the jazz fabric without ripping it apart. The results are a greatly varied….thoroughly rewarding and entertaining set.” —Jazz Times

“Mr. Revis... along with the drummer Jeff Watts, gives that group its tight, smacking sound. His vision of jazz begins with a strong rhythm section, and he has used Mr. Watts as the drummer on his own first album. But he is also one of jazz's relativists, interested in importing other sounds and forms and rhythms, and to this end he uses a dozen extra guests outside of his group in his original music.” —New York Times

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Jonathan Andersen
bass, acoustic

Photos

Music

Recordings: As Leader | As Sideperson

Undercover: Live At...

Heartcore Records
2023

buy

Two Moons

Self Produced
2023

buy

Heatmap

Imani
2022

buy

Eastside Romp

Rogue Art
2022

buy

Seismic Shift

Whirlwind Recordings
2022

buy

Live From the Heat...

Imani / 88 Keys Productions
2022

buy

Surrounding

From: Heatmap
By Eric Revis

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