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Gustavo Aguilar

Gustavo Aguilar, percussionist, composer, and improviser, has been honing his craft as a music artisan for almost two decades.

His commitment to combining pre-composed (notated) and present-composed (improvised) musical elements has earned him the reputation as an 'intuitive, methodical mystic.' His music has been called 'beautiful, introspective and passionate,' 'thought-provoking and thoroughly fresh.'

A champion of Contemporary New Music, Gustavo has performed at major festivals throughout the Americas, Europe, Asia, and the Pacific, including IRCAM's Festival Agora (Paris), the Zagreb Biennale International Festival of New Music (Croatia), the Acousmania International Festival of Electro-Acoustic Music (Bucharest), the Jooksan International Arts Festival (Seoul), the Green Mills Project (Melbourne), the Los Angeles Philharmonic's Green Umbrella New Music Series, and the Interpretations Music Series (NYC) among others.

He has worked closely with some of the most innovative composers of our time, including Ana-Maria Avram, John Bergamo, Chaya Czernowin, Anthony Davis, Iancu Dumitrescu, Julio Estrada, Art Jarvinen, Ann LeBaron, Annea Lockwood, and Roger Reynolds.

For well over a decade, Gustavo has dedicated himself to Creative Music - an approach to improvisation with roots that can be traced to the 1960s and to Chicago's African-American music organization, the AACM (Association for the Advancement of Creative Music). He has studied under, performed and developed a close working relationship with Creative Music luminary and AACM member, Wadada Leo Smith, appeared as a soloist/group collaborator at such festivals as the Ulrichsberger Kaleidophon International Jazz and Improv Festival (Austria), the Copenhagen Jazz Festival (Denmark), and the American Composer's Orchestra Improvise! Festival (NYC), and performed and/or recorded with such creative artists as John Bergamo, Anthony Braxton, Tom Buckner, Roy Campbell, Nels Cline, Anthony Davis, Mark Dresser, Lisle Ellis, Vinny Golia, Charlie Haden, Earl Howard, Kang Tae Hwan, Anne LeBaron, George Lewis, Mary Oliver, Park Jae Chun, Liz Phillips, and Adam Rudolph.

A Brownsville, Texas native, Gustavo has been on faculty at the University of California (San Diego), Del Mar College/Texas A&M Corpus Christi, Korea National University of the Arts, and The University of Akron, and has given lectures and master classes at universities and symposia across the United States and abroad. Over the years, his work has benefited from the support of the Ahmanson Foundation, Arts International, the Korean Ministry of Culture, the Los Angeles Cultural Affairs Department, National Presenter's Network, Ohio Arts Council, and the University of California.

Gustavo's current projects include the Gustavo Aguilar Get Libre Collective, the Aguilar/Howard Duo with saxophonist and electronics pioneer, Earl Howard, and soNu, an electro-acoustic ensemble that Downtown Music Gallery has called an 'intriguing gem.' His discography includes solo and collaborative releases on Acoustic Levitation Records, Circumvention Music, Edition Modern, Mode Records, Mutable Music, Nine Winds Records, Samsung-Ak, Sang-Joong-Ha Music, and TaRaGa.

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Album Review

Gustavo Aguilar: unsettled on an old sense of place

Read "unsettled on an old sense of place" reviewed by Donald Elfman


The title is nearly perfect; this music is truly unsettled on--really--any place or sense of it. You can't nail it down other than as a series of sound portraits about the relationship between composer and listener. It does invoke a sense of somewhere that feels familiar and very new at the same time.

Aguilar hails from Brownsville, Texas, and one might find something of the kind of Texas/Mexican colors of the composer's background, but you won't be there ...

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