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Corcoran Holt

Corcoran Holt, a son of Washington, DC, began playing djembe and other West African percussion at the age of 4 as a member of Wo’se Dance Company under the tutelage of Baba Aidoo Holmes & Mahiri Edwards. As a keeper of the rhythm, Corcoran began his study of classical acoustic bass at age 10 with the renowned DC Youth Orchestra (DCYOP). Soon he learned that his great- grandfather, with whom he shared a birthday, was a bass player who grew up in High Point, NC with John Coltrane. Legend has it that he gave Trane lessons. Corcoran feels called to the bass and his work is about honoring the ancestors.

Training Grounds

While continuing classical training at DCYOP, Corcoran attended the prestigious Duke Ellington School of the Arts in Washington DC from 1996 to 2000 where he studied classical bass with Carolyn Kellock, and the jazz art form with teachers such as Davey Yarborough, the late Keter Betts and Steve Novasel. During these high school years, Corcoran realized his affinity for the jazz bass and honed his performance skills by working frequently on the Washington DC music scene.

Always performing, he completed a Bachelors of Arts in Jazz Studies from Shenandoah Conservatory in 2004 where he studied bass with Michael Bowie. He received his Masters degree in Jazz Studies from Queens College in New York City in 2006 under the tutelage of Buster Williams, Michael Phillip Mossman, and Antonio Hart.

Career Blessings

Corcoran feels blessed and gives thanks to the many jazz legends and greats he has worked with including: Trombonists: Curtis Fuller who gave him his first real break, Slide Hampton, Benny Powell, Steve Turre, Wycliffe Gordon, Robin Eubanks, Fred Wesely, Delfayo Marsalis, amongst others

Saxophonists: Jimmy Heath, Benny Golson, Kenny Garrett, the late Frank Morgan, Red Holloway, Billy Harper, Bobby Watson, Azar Lawrence, Charles Davis, David Murray, Joe Ford, Tim Warfield, Javon Jackson, Renee McLean, Antonio Hart, Steve Wilson, Vincent Herring, Greg Osby, Donald Harrison, Hamiet Bluiett, amongst others. Trumpeters: Nicholas Payton, Roy Hargrove, Terell Stafford, Randy Brecker, Wallace Roney, Marcus Printup, Jeremy Pelt, Michael Phillip Mossman, amongst others Guitarists: Bucky Pizzarelli, Russell Malone, Ed Cherry, amongst others

Pianists: the late John Hicks, the late Hilton Ruiz, Ronnie Mathews, Larry Willis, Mulgrew Miller, Eric Reed, Benny Green, amongst others

Drummers: Jimmy Cobb, Al Foster, Louis Hayes, Albert “Tootie” Heath, Billy Hart, Carl Allen, Winard Harper, Billy Drummond, amongst others

Flutist: Dave Valentine, Brother Ah (Robert Northern), and others

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3
Album Review

Benjamin Boone: Caught in the Rhythm

Read "Caught in the Rhythm" reviewed by Paul Rauch


The connection between poetry and jazz music is a delicate one. It has been documented so infrequently, in performance and recordings, that one still conjures the flicker of an image of Jack Kerouac reading in some dark Greenwich Village cafe with Steve Allen or Zoot Sims, surrounded by beret-wearing, cappuccino-sipping beatniks. The work of Fresno-based saxophonist Benjamin Boone has assisted in widening that view through four albums recorded for the Origin Records label, including the fourth, Caught in the Rhythm ...

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Read "Generations" reviewed by Dave Linn


Generations is a wonderful exploration of the bop and post-bop era. Steve Turre both looks back to his roots while encouraging the next generation of musicians to find their voice. It's a position he's eminently qualified for, considering the artists he has played with and his tenure as a long-time jazz educator. Trombone players have a unique place in the sound created in a small jazz band. Their parts helped blend and define any given melody. On this ...

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Melvin Smith: Perseverance

Read "Perseverance" reviewed by Jack Bowers


Perseverance, Florida-bred saxophonist Melvin Smith's seventh album as leader of his own group, is a hard-blowing session on which he shows (again) that he is one of the leading bop-based reed masters on today's scene. On soprano or tenor, Smith displays a clarity of purpose and storehouse of astute phrases that serve him well at any pace and in any context. Besides alternating horns (tenor on seven numbers, soprano on four), Smith adds texture and variety to ...

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Stan Killian: Brooklyn Calling

Read "Brooklyn Calling" reviewed by Richard J Salvucci


Years ago, a group of folks were having dinner at a Westside San Antonio, Texas, restaurant known as Los Barrios. Occasionally, some restaurants there would start a jazz policy. In a place better known for mariachis, this would be a pleasant surprise. One Friday evening, some kid was playing tenor sax, quite a bit of tenor sax, in fact. The guy's name—because getting his card seemed like a good idea—was Stan Killian, not a familiar one among the roll of ...

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Kenny Garrett: Sounds From The Ancestors

Read "Sounds From The Ancestors" reviewed by Ian Patterson


On Sounds from the Ancestors, Kenny Garrett's fifth album for Mack Avenue and his first since Do You Dance! (Mack Avenue 2016), the former saxophonist for both Art Blakey's Jazz Messengers and Miles Davis, turns to the past for inspiration. From the Motown and gospel music he was weaned on as a youth growing up in Detroit, to the the hard bop of Blakey and post-bop of John Coltrane , Garrett wears his influences proudly on his sleeve on this ...

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Album Review

Deelee Dube: Trying Times

Read "Trying Times" reviewed by Chris M. Slawecki


Five years ago, the annual Sarah Vaughan International Vocal Competition named Deelee Dubé its first British winner and (2016) Sassy Award recipient, landing Dubé a spot at the Montreal International Jazz Festival and recording contract for this Concord Records debut. Trying Times marks a major label debut, but Deelee Dubé is no artistic novice. She started violin lessons when she was four and put together her first band when she was fourteen. Her 2016 release Tenderly was produced ...

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Album Review

Benjamin Boone: The Poets Are Gathering

Read "The Poets Are Gathering" reviewed by Paul Rauch


Saxophonist Benjamin Boone continues his ambitious foray into jazz and poetry, this time recruiting an impressive cadre of poets for his aptly entitled release, The Poets are Gathering (Origin, 2020). The union of poetry and jazz has never been so powerfly presented, reflecting the past year of the worldwide Black Lives Matter movement, the universal role of the poet, and the power of art and voice to raise awareness and inspire change. The album employs the likes of US Poet ...

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Photos

Concerts

Music

Recordings: As Leader | As Sideperson

Perseverance

Self Produced
2023

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Caught in the Rhythm

Origin Records
2023

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Brooklyn Calling

Sunnyside Records
2022

buy

Generations

Smoke Sessions Records
2022

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Sounds From The...

Mack Avenue Records
2021

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The Poets Are...

Origin Records
2020

buy

Mississippi 1955 Confessional

From: Caught in the Rhythm
By Corcoran Holt

Against Silence

From: The Poets Are Gathering
By Corcoran Holt

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