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Carlos Bechegas
Carlos Bechegas and Peter Kowald: Open View
by Budd Kopman
While the back cover of Open View says Live at the CCB (Centro Cultural de Belem), Lisbon" and the liner has a picture of Carlos Bechegas and Peter Kowald on a stage, I heard no audience noise or applause on this recording. Perhaps they meant recorded live with no studio post-processing. In any case, the sheer range of sounds, with and without complementing electronics, is simply amazing. Yes, Kowald is playing a string instrument, but he makes it growl, moan, ...
read moreCarlos Bechegas/Peter Kowald: Open Secrets
by Jerry D'Souza
Carlos Bechegas and Peter Kowald, who passed away in '02, were a good team. As thinkers and purveyors of improvised music, they created a waft of arresting ideas. Kowald, a giant among bassists, was a riveting presence who turned the bass into a loquacious voice that fed on his intuitive brilliance. Bechegas would take advantage of that, and as he tapped into his own pulsating imagination he would come up with an array of dazzling ideas.
On Open ...
read moreCarlos Bechegas/Michel Edelin: Open Frontiers
by John Kelman
Portuguese flautist Carol Bechegas demonstrates a sometimes overwhelming command of his instrument. Originally a saxophonist/flautist in swing orchestras and fusion groups, when he decided to devote himself to (a) the flute exclusively and (b) free improvisation, he translated some of the extended techniques of artists including Evan Parker, along with some new ones of his own, to the instrument. The result is an impressive array of sounds, textures and devices that allow him to coax more out of the instrument ...
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