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Daniel Ögren

Daniel Ogren has with his new album Laponia, created music dedicated to the landscapes of northern Sweden. He has aspecial relationship with the magnificent region of Lapland after having spent his childhood summers there, and his music has become strongly personal and moving as a consequence.

Hiscompositions paint scenes of the characteristically baremountains, the moss-green hills, the streams and the mountain birch. White patches of snow in the sunshine against dazzling greenery. All of it sketched with rare, vast and natural melodies, clear as the eyesight after one’s wiped away a tear of nostalgia.

Inspired by composers such as Oskar Lindberg, Johan Svendsen and Arvo Pärt, Daniel has written songs reminiscent of classical music but strongly influenced by the jazz musicians involved in his project. And it is on this dividing line between two music styles that Laponia has taken its form. Between carefully crafted compositions and an ensemble that gives life to the music, using equal amounts of passion and gentleness. Andw hich also loyally supports the group yet does not shy away from impulses to break away from the written music. The recording was made during 24 hours in a wooden church in Aspudden, Stockholm. Guitars, bass clarinet, piano and drumsmet the old church organ as well as other instruments such asthe clavioline and the cow horn. Using very few microphones and a minimum of post production the nerve and the atmosphere of the enormous church space have been kept throughout the process. Laponia is an important release and an extraordinary debut from one of this generation’s most promising creators of music.

Aside from his own music the guitarist Daniel Ogren collaborates with one of the most acclaimed pop musicians in Sweden: Anna von Hausswolff, both live and on her albums. He has attended festivals such as MADE, Siesta and Peace and Love and has toured in Brazil, France, Spain, Estonia, Norwayand Denmark amongst others.Nils Berg plays bass clarinet on Laponia. With his quartet The Stoner as well as his new trio Nils Berg Cinemascope he is constantly on the move. The double bass player Andreas Henningsson has played with Daniel since they were both children growing up together in Kristinehamn. Gunnar Åkerhielm, piano, is responsible for a number of projects suchas the club Jazzistan. Christopher Cantillo is the drummer inDaniel’s band as well as a valued member of Mattias Ståhl Trioand Anna von Hausswolff’s live band.


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Radio & Podcasts

Daniel Ögren: Nordic Psychedelia & Global Beats

Read "Daniel Ögren: Nordic Psychedelia & Global Beats" reviewed by Lawrence Peryer


Today, the Spotlight shines On musician and producer Daniel Ögren. Daniel is one of the artists propelling Sweden's contemporary new music scene. He has an extensive body of work as a solo artist and as a member of Sven Wunder, The Greys, and, most notably, Dina Ögon. He also works as a producer and musician for other artists. Daniel joined us upon the release of his album Fastingen-92 (Mr Bongo). The record “draws from Daniels's love ...

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Album Review

Daniel Ögren: Brev till Kristinehamn

Read "Brev till Kristinehamn" reviewed by Eyal Hareuveni


Swedish guitarist Daniel Ögren continues to offer sonic tributes to the landscapes of Sweden. In his past releases-- Laponia (Hoob, 2011) and Laponia II (Havtorn, 2013)--Ögren, known as a guitarist in singer-songwriter and organist Anna von Hauswolff's band, focused on the scenery of northern Sweden. Brev till Kristinehamn (letter to Kristinehamm} is dedicated to his home town, a railroad and road center situated by the shores of lake Vänern and exactly 250 km away from Stockholm, Gothenburg and Oslo.

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Music

Recordings: As Leader | As Sideperson

Brev till Kristinehamn

Havtorn Records
2014

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Laponia

Hoob Records
0

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Njulla

From: Laponia
By Daniel Ögren

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