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Roger Aldridge

Born in 1946 in Kansas City, MO, Roger Aldridge discovered jazz as a child thanks to his mother’s collection of big band recordings. Roger started on alto saxophone when he was 9 and developed an interest in composition in his early teens. This led him to study composition & arranging at Berklee College of Music in Boston, MA.

At Berklee, Roger studied jazz composition with Herb Pomeroy and Charlie Mariano, classical composition with William Maloof and John Bavicchi, and woodwinds with Joe Viola. Afterwards, he studied composition with Dr. Robert Wykes, Dr. Stephanie Owen, and Dr. Champ Tyrone. Roger received a B.A. in composition from McKendree University and a M.A. in composition from Highlands University.

After working as a composer-arranger, music director, professional musician, and educator, Roger found that he needed to have a different way to support his family. He made a career change to become an analyst and worked at Southwestern Bell, Bell Atlantic, Fannie Mae, and DecisionPath Consulting for what became a 34-year career. Due to a busy work and family schedule, Roger was away from music for for 12 years.

A business transfer from Missouri to Maryland in 1983 set the stage for new developments in Roger's music. When he started to compose again in 1989 much of the music was directly inspired by his life in Maryland and places that have a deep meaning to him such as the Appalachian Mountains and Chesapeake Bay. During this time he began to explore an interest in fiddle music after hearing old-time fiddle players in West Virginia. It was easy for Roger to envision Appalachian music as an early branch of the jazz family tree.

As Roger's music evolved in this new phase, jazz, contemporary classical, tango, blues, roots music, and other genres became intertwined in unusual ways along with having expanded harmonic colors, a peculiar sense of humor in much of his work, and a fluid, musically expressive approach to time.

For the next 22 years Roger composed as he was able to between his work and family lives. Over 600 pieces were written during that period in a broad range of styles. Roger retired from systems work in 2011 and now has more time for music projects.

While Roger has been composing for many years, he did not have a good way for others to hear his music for much of that time. He prefers to focus on composition and have other musicians perform it.

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Take Five With...

Take Five With Roger Aldridge

Read "Take Five With Roger Aldridge" reviewed by Roger Aldridge


Meet Roger Aldridge:I am primarily a jazz composer. A wide range of influences are found in my music including jazz, tango, blues, samba, fusion, new music, and back to American roots music.My exploration of the jazz family tree does not stop at New Orleans. I've gone further back to old fiddle styles--especially, Appalachian--as an early branch in the evolution of the music. For me, looking back to roots music and looking ahead to new music are ...

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Technology

Saxophonist/Composer Roger Aldridge Launches New Website

Saxophonist/Composer Roger Aldridge Launches New Website

Source: Roger Aldridge

A selection of Roger Aldridge's original music can be heard at rogeraldridge.com. In addition, to recordings and videos, the new site includes the latest news about his music projects, biography, articles, and a page having a featured composition each week. One of the articles at Roger's site describes his concepts of writing for mid-size jazz ensemble. As he envisions it, a mid-size ensemble can be approached in fundamentally different ways than with a conventional big band. That is, going beyond ...

Looking For...

Roger Aldridge's Collaboration Project Is Open For Submissions

Roger Aldridge's Collaboration Project Is Open For Submissions

Source: Roger Aldridge

Roger Aldridge is hosting a collaboration project through Talenthouse. To participate in the project musicians and ensembles listen to a selection of his original music (link is in the project description), find a piece that you especially like, contact Roger for a copy of the music, and submit a recording of it expressing your vision of the piece to Talenthouse between now and August 20. Voting for the submissions takes place August 21-28. Afterwards, Roger will make his selection of ...

"I loved Roger Aldridge's Donut Music for its waywardness and its nine small sections or 'bites'." — Chris Dumigan, Classical Guitar Magazine

Photos

Music

Recordings: As Leader | As Sideperson

Music for Mid-Size...

Self Produced
2015

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Fanfare

Self Produced
2015

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Connecticut Avenue...

Self Produced
2015

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Blues for Lester

Self Produced
2014

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Donut Music

Self Produced
2012

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Blues For Lester

From: Music for Mid-Size Jazz Ensemble
By Roger Aldridge

Sleepy Creek Samba

From: Music for Mid-Size Jazz Ensemble
By Roger Aldridge

New Tango No. 2: Mystery

From: Music for Mid-Size Jazz Ensemble
By Roger Aldridge

Blues for Lester

From: Blues for Lester
By Roger Aldridge

Videos

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