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Jason Stein's Locksmith Isidore - Three Kinds of Happiness (Not Two, 2010) ****1/2

Jason Stein's Locksmith Isidore - Three Kinds of Happiness (Not Two, 2010) ****1/2

Source: Free Jazz by Stef Gijssels

By Guy Peters I have a soft spot for the bass clarinet. The quirky look of the instrument certainly has something to do with that. Also the fact that it has rather few practitioners and the realisation that some of them (like Rudi Mahall and Louis Sclavis) do tremendous things with it. Of course, there's also the peculiar, bleating sound, especially in the lower register. As it happens, the latter is almost absent on this third album by Jason Stein's ...

111

Recording

Jason Stein's Locksmith Isidore - Three Kinds of Happiness (Nottwo, 2010)

Jason Stein's Locksmith Isidore - Three Kinds of Happiness (Nottwo, 2010)

Source: Music and More by Tim Niland

Locksmith Isidore if bass clarinetist Jason Stein's trio with Jason Roebke on bass and Mike Pride on drums, playing a classy thoughtful blend of free jazz and more mainstream improvisation, music that would fit in well at a jazz club or art-house performance space. Stein has a strong woody tone that permeates the recording, while Roebke and Pride create a shifting and continually moving foundation that simultaneously supports and challenges the leader. They play with a light touch that keeps ...

215

Recording

Chicago Bass Clarinetist Jason Stein's Locksmith Isidore Releases Third CD "Three Kinds of Happiness," on Not Two Records - November 30, 2010

Chicago Bass Clarinetist Jason Stein's Locksmith Isidore Releases Third CD "Three Kinds of Happiness," on Not Two Records - November 30, 2010

Source: Fully Altered Media

Featuring Jason Roebke (bass) and Michael Pride (drums) There are many who embrace tradition, and jazz's recent history is replete with acolytes of a certain era or style. Bass clarinetist Jason Stein is cut from a very different cloth however, and Three Kinds of Happiness, the new album by his trio, Locksmith Isidore, demonstrates just how deeply and completely he has assimilated the past—his own and that of the music—while maintaining his own voice, as a composer and as a ...

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