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Paul Lytton
King Übü Örchestrü 2021: Roi
by John Eyles
The large improvising ensemble King Übü Örchestrü first saw the light of day when they recorded their debut album, Music Is Music Is (Uhlklang, 1985) in Akademie der Künste, Berlin, in December 1984. It was a sign of the times that their trumpeter Mark Charig was prevented from going to Berlin for the recording. But, with players such as drummer Paul Lytton, trombonist Radu Malfatti, cellist Alfred Zimmerlin and violinist Phillipp Wachsmann in the line-up, the music was exceptional. Two ...
read moreEvan Parker Electroacoustic Quartet: Concert in Iwaki
by John Eyles
The year 2021 marked the twenty-fifth anniversary of the first recordings made by Evan Parker Electro-Acoustic Ensemble. It also ended a somewhat fallow period, Hasselt (Psi, 2012) having been the ensemble's most recent release; 2021 brought a flurry of electro-acoustic releases, with Concert in Iwaki following hard on the heels of Warszawa 2019 (Fundacja Sluchaj), and Fixing the Fluctuating Idea (Les Disques Victo), the latter recorded at the 1996 Victoriaville festival with Sainkho Namtchylak. However, despite ...
read moreEvan Parker / Paul Lytton: Collective Calls (Revisited) (Jubilee)
by John Sharpe
Fifty years on from their first encounter, the British pairing of saxophonist Evan Parker and drummer Paul Lytton convened in a Chicago studio to record Collective Calls (Revisited) (Jubilee), named in echo of their first release. Of course they've reunited countless times in the interim, notably as two thirds of the classic trio completed by bassist Barry Guy, and in Parker's Electro-Acoustic Ensemble among other formations. Not that the current date recalls the earlier session in much other than instrumentation, ...
read moreAlan Wakeman: The Octet Broadcasts 1969 and 1979
by Chris May
Despite a perception fostered by the more breathless media coverage given to the young lions who have emerged on the London scene since the mid 2010s, an identifiably British strand of jazz did not kick off when Shabaka Hutchings' Sons Of Kemet released its debut album in 2013. The groundwork was laid back in the 1950s by musicians such as saxophonist Joe Harriott and pianist Stan Tracey. In the 1970s, two bandleaders who carried the torch for ...
read morePaul Lytton / Nate Wooley: Known/Unknown
by Mark Corroto
The duo of Paul Lytton and Nate Wooley invites the listener to accompany them down the proverbial rabbit hole, entering a land similar to Lewis Carroll's Alice's Adventures in Wonderland. Like Alice's trip through the looking glass, reality (conventional music making) is subverted to produce a disorienting situation. Known/Unknown is the third release from the duo, with their previous efforts Untitled (Editions Brokenresearch, 2008) and Creak Above 33 (psi, 2010) notable additions to the Lytton & Wooley discography, which includes ...
read moreEvan Parker / Barry Guy / Paul Lytton: Concert In Vilnius
by John Sharpe
In a world riven by climate chaos and the attack on truth, on both sides of the Atlantic, it is reassuring that some things remain constant. At this stage of an existence dating back to the early 80s, the superlative British trio of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton plays only a few concerts each year. When they do, the results tend to the spectacular, and Concert In Vilnius only affirms that. In fact, when taken ...
read morePaul Lytton / Nate Wooley: Paul Lytton / Nate Wooley Duo
by Kurt Gottschalk
Although titularly a trumpet festival, New York's FONT (Festival of New Trumpet) presented a handful of subtly inventive percussionists during its two-week run at the end of September, 2007. Sean Meehan and Tatsuya Nakatani each played on the penultimate afternoon, both working with drums more as resonating chambers than beat boxes and both arguably following in the Paul Lytton tradition. And to close the festival FONT presented Lytton himself, in a duo with another quietly creative player, trumpeter Nate Wooley, ...
read moreNate Wooley and Paul Lytton - Creak Above 33 (Psi)
Source:
Master of a Small House
A truism easily lost in the primacy of pedagogy, but some of the best musical moments occur when the getting from Point A to Point B remains a mystery. Trumpeter Nate Wooley comes to this conclusion in his brief, but fascinating notes to this release. His conclaves with British percussionist/electronicist Paul Lytton initiated a fundamental reassessment in his philosophy toward music-making. Lytton presaged this sea change through the formulation of what Wooley refers to as a mind map", a hand-drawn ...
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CINC Featuring Ken Vandermark, Paul Lytton & Philipp Wachsmann On Tour NOW!
Source:
All About Jazz
See Them While You Can!
CINC sets out on a short North American jaunt to the east coast and Canada, beginning mid-June 2006 and concluding with the Suoni Per Il Popolo Music Festival in Montreal. These rare appearances are a 'must-see' for anyone who truly appreciates the raw-spirit, element of surprise and subtlety in the art of improvisational music. For this tour, Okkadisk is releasing a limited edition of CINC's self-titled cd comprised of live recordings from a European tour, ...
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