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Sarathy Korwar
Born in the US, Sarathy Korwar grew up in Ahmedabad and Chennai in India. He began playing tabla aged 10, but was also drawn to the American music that he heard on the radio and leaking through the doorway of his local jazz music shop (Ahmad Jamal and John Coltrane were early discoveries). At 17, Korwar moved to Pune to study Environmental Science, but instead dedicated his time to music, practising tabla under the tutelage of Rajeev Devasthali, translating his skills to the western drum kit and playing as a session musician.
On completing these studies a decade ago, he moved to London where he trained as a classical tabla player under the guidance of Sanju Sahai at SOAS (The School of Oriental and African Studies), focusing on the adaptation of Indian classical rhythmic material to non-Indian percussion instruments.
Korwar has since established himself as one of the most original and compelling voices in the UK jazz scene, leading the UPAJ Collective - a loose band of South Asian jazz and Indian classical musicians brought together through a love of collaboration and improvisation who set up a residency at the Jazz Café in London. Korwar has collaborated with the likes of Shabaka Hutchings (The Comet Is Coming), clarinettist Arun Ghosh and producer Hieroglyphic Being, as well as groups Penya and Ill Considered. He has toured with Kamasi Washington, Yussef Kamaal and Moses Boyd.
Korwar’s daring debut album, Day To Day, recorded with the support of the Steve Reid Foundation, was released by Ninja Tune in 2016. The album fused traditional folk music recorded with the Sidi community in India (combining East African, Sufi and Indian influences) with contemporary jazz and electronics.
In November 2018, Gearbox Records released a triple vinyl live album by Sarathy Korwar and UPAJ Collective. My East Is Your West, performed and recorded at a sold out Church of Sound show, is a brilliant and unique blend of London's new jazz talent with Indian classical instrumentation. A critically-acclaimed take on the cultural appropriation of ‘spiritual’ Indo-jazz, the three hour show was recorded following a single 45-minute rehearsal. The resulting album was awarded The Guardian's Contemporary Album of the Month.
Korwar releasee his second studio album, More Arriving, through The Leaf Label in July 2019. With this latest release, Korwar blasts out his own vibrant, pluralistic narrative for the world to hear. This is not necessarily a record of unity; it is an honest reflection of Korwar’s experience of being an Indian in Britain, and as such is a leap forward from his previous releases, incorporating rappers from Mumbai and New Delhi, spoken word and his own Indian classical and jazz performances.
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Flock: Flock
by Chris May
One of the strengths of the alternative jazz scene which has grown in London since around 2016 is the interconnectivity of its players. Everyone knows each other and ad hoc bands constantly come together. Flock is the latest such conclave and it is something of a supergroup. On this its first album--others are promised--the lineup is reeds player Tamar Osborn, keyboard player Danalogue, pianist Al MacSween, vibraphonist Bex Burch and percussionist Sarathy Korwar (check Additional Personnel below ...
read moreSarathy Korwar & Upaj Collective: Night Dreamer Direct-To-Disc Sessions
by Chris May
In her October 2020 interview with All About Jazz, baritone saxophonist, Collocutor bandleader, Afrobeat shaman and Upaj Collective founder member Tamar Osborn was asked to name six of her all-time favourite albums. One of them was Shakti's Natural Elements (Columbia, 1970), on which John McLaughlin plays a guitar customised to sound like a sitar. “To me, it's still one of the best meetings of two traditions you can listen to," said Osborn. “You can hear the mutual respect, the communication ...
read moreSarathy Korwar: More Arriving
by Gareth Thompson
In dusty old legends, the tabla came into being when a thirteenth century Sufi disciple sawed a pakhawaj (two-headed drum) in half. Sarathy Korwar has delved deeper into history than that by recording the music of the Sidis, descendants of African tribes who came to India in the seventh century. The results of this bore fruit on his album Day To Day (Ninja Tune, 2016) with ambient sonics flitting among the field work. A devout student of the tabla, Korwar ...
read moreSarathy Korwar & The UPAJ Collective: My East Is Your West
by Chris May
Indo-jazz fusion has distinguished ancestry in Britain. The music took shape in the mid to late 1960s, when a string of extraordinary albums, each with one foot in Indian classical music and the other in post-bop jazz, were recorded by guitarist Amancio D'Silva and violinist John Mayer. Both featured empathetic jazz musicians (Joe Harriott, Don Rendell, Ian Carr and others) in their bands. A decade later, John McLaughlin and Shakti took up the reins. Between times, in the late 1960s ...
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