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Paolo Ricca

Paolo Ricca Born in 1963 in Turin, Italy, Paolo began studying classical piano at an early age. He continued his studies, and as a young man, expanded into the realm of jazz Performance and composition at the noted Centro Professione Musica in Milan, under the tutelage of Franco D’Andrea. It was there that he earned his Diploma Superiore and shortly thereafter, in the early 80’s, began his professional carreer. In just a few years, he performed in well over 100 concerts and festivals all over Europe, simultaneously building a solid reputation as a studio musician. He would collaborate with such notables as Arthur Miles, F. Boltro, Lee Brown, La Verne Jackson, J. Silveira, M. Samba (from Joe Zawinul’s Sindycate ), M. Orza, Dee D. Jackson and many others. (For a complete list, look under “Collaborations”). Later on, he met and played with numerous Latin American artists, among them Moncada, Ruben Rada ( cofounder with Airto Moreira of the group Opa), Luzia Santana, Trasluz and others. He frequently played with these artists in scores of major Latin-American music festivals. His interest in new technologies, computers, sequencers, looping, sampling, all served to spark his interest in studio work, which includes engineering, recording, as well arranging and composing. He has worked for major recording companies, producing music not only from Italy, but on an international level. As can readily be seen, Paolo has been very active in virtually every aspect of the music business, even as an educator, teaching piano, theory, harmony, and composition to numerous students, in both public and private schools. He also produces music for theatrical productions (Stefano Benni, Angela Finocchiaro) cinematographic (Mimmo Calopresti, Silvio Soldini, Simona Ercolani, F. Patierno) and for RAI, the national network. He collaborates with the Swiss music magazine Plug n 'Play with the publication of his educational articles in the Masterclass - Piano and keyboard section. The third CD of his Paolo Ricca Group is out, "Mumble" which follows the previous "Batik" (reported as "Best record of the year" in the annual referendum among Italian music journalists held by the magazine "Musica e dischi" ) and "Volcano", which sees the participation as a guest of an English jazz-rock legend, the guitarist John Etheridge (Soft Machine). For many other information you can visit the official website: www.paoloricca.com

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"‘I was so happy to be asked to be part of this album by Paolo Ricca and his great group .The playing and the compositions have a mellow, natural feeling to them and everything flows with a feeling of spontaneity . This group has a special sound and I was glad to be a part of it “ John Etheridge Fresh Italian Progressive Jazz (USA website - jazzrock.com) Review by John Pritchard

When Paolo Ricca contacted me last month about his new album, Mumble, I was eager to hear the music. Upon multiple listens, I am not dissapointed: it is a fabulous work in the great tradition of Weather Report, but with a decidedly upbeat and flowing Mediterranean flair (thanks to Paolo's inspired compositions and the sound of the clarinet). Mumble was produced by Beppe Crovella for the Italian Prog label Electromantic Music - Sub label TJRS (Turin Jazz Rock School) and distributed by Ma.Ra.Cash Records. The title track, "Mumble" (listen above), says it all with superb musicianship featuring a blazing solo by guest guitarist, John Etheridge (Soft Machine alum), that is followed by an even hotter solo by Paolo on his Fender Rhodes. The very tight rhythm section of drummer, Maurizio Plancher, and bassist, Andrea Manzo, lay down solid grooves with the keys that also synchronize with the unique and refreshing sound of Diego Mascherpa on clarinet. While I truly enjoyed every track, Orfeo stands out as my favorite. It begins with a dramatic intro and then features a great groove that drives the whole composition. There are wonderful vocals from special guest, Viviana Presutti, and the phenomenal clarinet soloing leads up to Paolo's best improvising on the album. He sure can play! Such a pleasure to hear a true master. Other tracks that I found highly inspirational are Pastorale, with its tasty notes of peaceful beauty, and the final track, Istmo, that features a great bass solo by Andrea and ingenious drumming by Maurizio. But like I said before, the whole album is a delight to hear! There is much to love about it all. So, it is quite obvious, from both the three cross-eyed creatures on the cover and the "Mumble" title itself, that the Paolo Ricca Group has a great sense of humor. These guys have fun. They have a great sound together and their music is distinct and highly creative... anything but difficult to hear. Definitely no mumbling. No mumbling at all. Sheer joy is what I get out of it... sheer joy... loud and clear!

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