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Paul Abrahams

School At secondary school I pass all my exams except music! There’s a message here somewhere, as music has been my profession since 1967! ‘Proper’ job Still living at home after leaving school, my parents are not of the opinion that music is a career, so I join the Civil Service as a tax officer. By night I’m playing organ in R&B and soul bands. Starting out My first pro job is a month-long residency at the Star club in Hamburg. I then play in various backing bands for singers including Percy Sledge, P J Proby and Joe Brown. My own band In the early 70’s I form my own band called Listen. We win the first Melody Maker rock band contest. I’m interviewed on ‘The Whistle Test’ and sign with EMI. Unfortunately, half the band is American and can’t get work permits, so the group fizzles out. Musical Director and composer From the mid 70’s I work in Musical Theatre, composing and directing music for many companies here and abroad. I particularly enjoy my work in Hong Kong with the Chung Ying Theatre group. Bits and bobs In the life of a musician, all sorts of weird and wonderful jobs come along like… The Secret Policeman’s Ball: a show and subsequently a film for Amnesty International where I can be seen playing the piano.

The Garden of England: composing the music for a play about the 1984 Miners’ strike. My song ‘Coal Not Dole’ (lyrics by Kay Sutcliffe) has since become a protest anthem and has been recorded by artists including Martin Carthy, the Watersons and the Oyster Band. Alton Towers: writing their parade music for many years. The London Comedy Store: supplying the music on improvisation night. Life as a vocal coach All this work with actors in Musical Theatre resulted in my growing reputation as a vocal coach. I taught at The Webber Douglas Academy in London for a number of years (nearly 20!), preparing actors for auditions. Teaching and playing jazz piano So this is me now, teaching piano full-time and playing the occasional gig.

Gear

Upright Rameau piano Kurzweil PC88 keyboard Roland FP7 keyboard


Tags

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Musings of a Jazz Piano Teacher

Working with jazz singers

Read "Working with jazz singers" reviewed by Paul Abrahams


Understandably, most of my jazz piano students want to improvise; their prime aim is to solo creatively. However, my 40 years as a pro keyboard player has taught me that being given the opportunity to solo comes as a bonus. A more realistic expectation for a pianist is that we will spend most of our working lives accompanying soloists and singers, in other words, comping. Therefore, unless a student has no ambition or desire to play with other musicians or ...

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Musings of a Jazz Piano Teacher

Teaching the blues

Read "Teaching the blues" reviewed by Paul Abrahams


A moment after writing the title of this article, up popped an image of John Lee Hooker smiling and shaking his head. “Nobody can teach you the blues. Blues is a feeling, something you have to live." I tried explaining that I'm a jazz piano teacher and that it's part of my job but the image faded. So where do we start? If you've read my previous articles or are one of my students, the following message will ...

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Musings of a Jazz Piano Teacher

Stop trying to swing

Read "Stop trying to swing" reviewed by Paul Abrahams


Dave Brubeck tells the story that Miles Davis approached him at the end of a gig and murmured in his ear “You're the only person in this group that swings." Had Brubeck replied: “What, exactly, do you mean by swing?" I suspect he would have been given short shrift. But of course both musicians had an implicit understanding of the word without the need for analysis or elucidation. But what does the word “swing" mean in the context ...

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Musings of a Jazz Piano Teacher

Learning to Play Jazz

Read "Learning to Play Jazz" reviewed by Paul Abrahams


With “Musings of a Jazz Piano Teacher" Paul Abrahams addresses a range of topics that can arise from working as a jazz piano teacher, reflecting on the day to day issues and challenges of teaching improvisation to students from various musical backgrounds and levels of ability. Learning to play jazz Have you ever been asked the question “What do you do?" When I used to reply “I'm a singing coach" the usual annoying response was “Do ...

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Primary Instrument

Piano

Location

London

Willing to teach

Advanced only

Credentials/Background

I teach in London, UK. My students are not beginners but already have at a least a basic knowledge of jazz theory and can read the top line of a lead sheet. I charge £45 per hour.

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