Not one jazz virtuoso could put the definition of jazz into words, but all agreed that you know it when you hear it. That's the way it is with Paul Bollenback. It's bona-fide playing, unambiguous, up-front and powerful, summarizes George Benson, a long-time friend. His debut recording, Original Visions, as a leader with Challenge Records, is one of the most creative efforts by a guitarist in recent memory. Double Gemini, his second CD, features four of his own compositions and won the title of CD of The Month in Jim Fisch's distinguished jazz column in 20th Century Jazz Magazine. It won the same award from the renowned jazz radio station WBGO in Newark, New Jersey. Challenge Records has recently released his third recording, Soul Grooves.
Paul Bollenback's emotionally expressive style and eclectic approach is the result of years of listening, studying and playing music by Carlos Santana, Yes, Wes Montgomery, George Benson, John Scofield, Pat Metheny, Kenny Burrell, Herbie Hancock, Bill Evans, John Coltrane, Wayne Shorter, Jimi Hendrix, Johnny Winter and Lenny Breau. At the age of seven, Paul received a nylon-string guitar from his father, a classically trained trumpeter and lover of music. When Paul was eleven, his family relocated to new Delhi, India, on a three-year consulting engagement with United States Aid. It was there that he cultivated his life-long interest in exotic musical sounds and timbres, which is evident in Original Visions. When his family returned to the United States, Paul's father bought him an electric guitar and he began listening to rock-and-roll. Then he heard Miles Davis and his world changed forever.
Bollenback attended the University of Miami as a Music major, he later studied privately for eight years with Baltimore-based professor of Theory/Composition Asher Zlotnik. In 1993 while touring in Europe Paul was awarded a grant from the Virginia Commission on the Arts and the National Endowment for the Arts to compose and perform New Music for Three Jazz Guitars.