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Peggy Lee Octet
The ensemble consists of an all-star group of creative Canadian musicians whose collective experience covers jazz, new music, electronica, free improvisation, as well as classical music and pop. Consider the haunting melody and ambient textures of “End Waltz,” the brilliance of Brad Turner’s trumpet on “Path of a Smile,” the collective textural improvisation that opens “Not So Far,” the soulful Kwela inspired guitar of Tony Wilson on “Warming,” Jeremy Berkman’s Berio-influenced statement on “Why Are You Yelling,” the burning jazz tenor of John Bentley on “Punchy,” Ron Samworth’s twelve-string psychedelia on “Little Pieces, van der Schyff’s percussive overture to “Chorale,” as well as the unique take on Mary Margaret O’hara’s timeless “You Will Be Loved Again.” Indeed, this is an ensemble that can do pretty much anything asked of it; and yet it maintains a unique and coherent sound thanks to the long associations between members of the group and a deep collective commitment to Peggy’s music.
Cellist, composer and band leader Peggy Lee resides in Vancouver where she performs with a wide variety of ensembles including the Vancouver Opera Orchestra, the string quartet, Microcosmos and the new music ensemble, Standing Wave. As an interpreter and improviser she works regularly with longtime associates Tony Wilson, Dylan van der Schyff, Ron Samworth, Wayne Horvitz and Robin Holcomb, as well as in a new collaboration with vocalist Mary Margaret O’Hara called Beautiful Tool. In the past, Peggy has performed with the likes of trumpeter Dave Douglas, guitarist Nels Cline (Wilco), guitarist Bill Frisell and Eyvind Kang. With her own group, The Peggy Lee Band, she has been able to develop her compositional skills––the band has released five CDs including the most recent, Invitation.
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The Peggy Lee Band: Invitation
by Ted Harms
This is the fifth album, and second on Drip Audio, of Vancouver-based cellist Peggy Lee's ensemble. The Peggy Lee Band members are all solid players, and each has their turn taking the lead through this 11-song recording. The strong tunes occasionally evoke the feel and vibe of guitarist Bill Frisell's early '90s sextet classics This Land (Nonesuch, 1994) and Have a Little Faith (Nonesuch, 1993).The songs range from the vaudeville-esque Why Are You Yelling," with its spiky yet ...
read moreThe Peggy Lee Band: Invitation
by Troy Collins
Based in Vancouver, Canada since the early 1990s, Canadian cellist Peggy Lee has been steadily building an impressive discography. Invitation is the fifth album by her self-titled band, and the group's second release for Drip Audio. The record encompasses a broad stylistic range, revealing influences as disparate as folksy Americana and exotic Afro-pop--though Lee's harmonically sophisticated arrangements expertly balance composed and improvised elements, yielding a cohesive sum greater than its parts.The Peggy Lee Band features a young Canadian ...
read morePeggy Lee Band: Worlds Apart
by AAJ Staff
By Ken Waxman
The Canadian West Coast has an abundance of known improvisers--clarinetist François Houle, drummer Dylan van der Schyff, and cellist Peggy Lee being examples--but like everywhere else, the hometown scene can be a little comfortable and self-contained. The tunes on Worlds Apart, mostly written by Lee and recorded with local musicians in her hometown, lacks a certain spark, and it suffers from an overabundance of tracks (nine). A certain indefinable heavy-handed mournfulness in Lee's cello playing also detracts ...
read more"…arguably the most prominent improvising musician in the rich musical community around Vancouver." - Pop Matters
"Albums like Invitation are a rare breed. The fifth record by Vancouver cellist Peggy Lee and her band is an accessible, eclectic mix of tender harmonies and angular improvisation that touches on a number of stylistic influences yet remains a strong, cohesive experience." - The Vancouver Sun