Peri Mauer / Press
"The program included ….Peri Mauer, All Along the Heights (World Premiere)...Pat
Glunt kept tight ensemble as conductor, and the orchestra performed with verve,
particularly in the outstanding premiere by Ms. Mauer. Her piece, All Along the Heights
(2016), commissioned by this orchestra, opens with an amiable dance, with some
mariachi percussion, and various syncopations, which expands into a series of lyrical
and colorful vignettes – akin to Aaron Copland’s Americana style, with a very light and
lively touch at orchestration that is of the same caliber of that great master’s. Some
passages presented dissonances, although most of the piece was consonant – the
balance and variety of this through-composed excursion in musical exploration is
delightful. Both the members of the orchestra and the audience seemed to love the
piece and praised it."
Mark Greenfest - soundwordsight.com
"Peri Mauer’s Thought’s Torsion led, with Michael Laderman, flute, Gregor Kitzis, viola,
and Dave Eggar, cello. …..[she] writes with authenticity and careful attention to detail.
I have invariably found her pieces to have a lot of integrity and emotional
focus…...Ms. Mauer’s writing is sophisticated, intelligent, direct and beautiful."
Mark Greenfest - soundwordsight.com
"Peri Mauer’s Red Sky for trumpet was performed by soloist Alexandria Smith. The
composition was finely constructed and unflaggingly interesting, as have been all the
pieces I’ve heard by Ms. Mauer. Ms. Smith played an extended line made up of parts
divided across the trumpet register. She then inserted a mute and played another
line, but of an occluded relationship to what had come before. The whole piece
suggested to me the provocative experience of examining an object under two
different lighting conditions, and wondering whether the object you see now is really
the same as the one you saw before."
David Mecionis - soundworsight.com
"While Peri’s playing is beautiful, the highlights of the afternoon came in the haunting
quality of her own compositions which followed. Journey (a lovely Virginia Chang
Chien on oboe), Red Sky (a sonorous Lynn Chao on trumpet – seen at right) and
Morning in Minute and Quietly, at Dusk (ethereal playing by Medina Crystal-Gloria on
clarinet) are compositions that demand attention. Her style is unique and original.
Classical and Jazz influence marry beautifully in her works."
Ladd Boris - soundwordsight.com
"Peri Mauer’s Trumpet Trio (World Premiere)...writes very interesting music. Her
pieces tend to have a clearly focused line, a persuasive emotional content, and
sufficient complexity to be interesting, without being too dense or overwhelming. Her
World Premiere piece for this appealing trio got a well-deserved standing ovation
from the audience, who appreciated fresh and exciting music."
Mark Greenfest - soundwordsight.com
"Peri Mauer’s “Morning, Night, & Noon” for clarinet duo followed next, juxtaposing a
flexible and creative treatment of this pairing of instruments with the engaging
spectacle of their quality performance by the duo of Vasko Dukovski and Ismail
Lumanovski."
Roger Blanc - The Glass
"….Irrepressibly tuneful composer Peri Mauer"
delarue - New York Music Daily/Lucid Culture
"This was followed by Peri Mauer, Journey, (Virginia Chang Chien, oboe), in which
long sonorities glide in a mysterious way, with short, hopeful chirping passages
cascading in the lyrical and thoughtful flow. This exceptional piece for solo oboe is a
new work in one movement, “inspired by the soulful sound of the oboe, it is intended
to convey a pensively evocative expression of delight, introspective and magnetic,”
according to Ms. Mauer, who is also a professional cellist, and has a degree from Bard
and a masters in composition from the Manhattan School of Music."
Mark Greenfest - www.soundwordsight.com
“The centerpiece of the program was a commissioned work for the band by composer
Peri Mauer, called Red Sky, conducted by Dr. Richard Titone. Ms. Mauer orchestrated
her prior work for solo trumpet of that name and revised it for a full ensemble. It was
technically challenging, but the young musicians rose to the occasion after diligent
rehearsals... It’s in two movements – Awakenings, in which Ye Huang, clarinet, and
Hao Wang and Brandon Papaleo, trombones, were the soloists, and In the Brilliance
of the Afternoon Sun. I find it an exciting and invigorating piece that is excellently
well-written. The piece got deserved and enthusiastic applause from the audience.”
Mark W. Greenfest, independent concert reviewer - soundwordsight.com
"The next piece on the program was a work for solo oboe by Peri Mauer aptly called
“Journey”. A fanciful piece that explored the full range and colors of the instrument, it
was a beautifully vivid journey through sound and time."
Dave Hall - The Glass
"Peri Mauer’s piece, Red Sky, is inspired by the changes of sky in pictures of Ms.
Coffin’s country home on Lake George. Its mercurial mood changes and atmospheric
changes are manifest through a very focused and coherent forward-driving line,
requiring virtuosic technique, yet paying off with emotionally fascinating rewards. The
composer writes “The vibrant and peaceful beauty of the red sky is seen as a
continuous shift of varied shades of color, enlivened by changing cloud formations
throughout the day.” This piece is neither nocturnal nor pastoral; it is beautiful and
rousing."
Mark Greenfest - soundwordsight.com
"Following, was the first performance of Peri Mauer’s At Home with Allen Ginsberg, a
song cycle inspired by Ginsberg’s readings of his own poetry. The five evocative songs
– including the dramatic “Sunset”, recounting the moving premature death of a young
son – were brought to unique life by Daniel Neer’s expressive and dynamic baritone
paired with Christopher Berg’s skillful flow at the piano."
Ted Gorodetzky - The Glass
““Peri Mauer’s ‘A Little New Year’s Flair’ played by the rhythmically astute Blair
McMillen, investigated structure and rhythm…So did Don Byron’s ’3 Etudes’…Mr.
McMillen — who also had to vocalize and sing in these — brought out their dry wit.””
Corinna da Fonseca-Wollheim - New York Times
"Peri Mauer's music, intensely personal, yet written to be shared as a collective
experience, with technical challenges for the performers and an intense emotionality -
akin to a Van Gogh painting - is beginning to take on the kind of reputation it
deserves. I won't pass judgment on whether it's very, very good music or whether it's
great - as it's intensely personal work - but it's written with brilliant craft and intense
passion, and, I suspect that in time, Peri's rep will grow like Mahler's..."
Mark W. Greenfest, freelance contributor New Music publications -
https://www.facebook.com/mark.greenfest
"Peri Mauer’s polyrhythmic, spatially shifting work Life on Earth, alternating
configurations from among 15 instrumentalists a la Lisa Bielawa’s recent
explorations."
delarue - Lucid Culture
“I consider myself fortunate to have been a part of Peri Mauer’s Life On Earth in Music
With a View 2013, June 19th at The Flea Theater in Tribeca. The foundation of the
piece is a series of structured solos and duets, interspersed with background free
improvisations by individuals and groups of instrumentalists using melodic and
rhythmic motifs found in the structured sections. The material is beautifully written,
with expressive melodies and intricately woven rhythmic subtleties. The overall effect
is of major events taking place amidst a constant stream of small ordinary
happenings, all based on the same short motifs. Ms. Mauer both played cello and
conducted, shaping sections between the major events for a range of tone colors and
dynamics. It was exciting to hear the lines and motifs pass from one player to
another...with accents and tempi shifting as each interpreted the material. Lighting
effects–changing colors and intensities–added to the dramatic effect.”
Sandra Coffin - SoundWordSight an arts magazine
“Peri Mauer’s Illuminations of the Night...received its shining world premiere by the
New York Repertory Orchestra....Mauer’s musical nightscape pulses with the insistent
rhythms and syncopated energies of late night New York. She offers up a vision of
New York City swathed in terrifying darkness but lit up from within by streaks,
sparkles, glints, and flashing of light. The piece beautifully exploits dark orchestral
hues and textures to achieve a haunting luminosity. Mauer first began sketching the
work while she was a student at the Manhattan School of Music. In her program notes
on the piece she relates how she would compose until “the low-pitched screeching of
garbage trucks making their early morning rounds signaled that it was time to go to
sleep.” Fittingly the piece came to a close with a screeching halt, but after such an
invigorating piece who could think of sleep? - Scottie Roche THE GLASS May 28, 2013”
Scottie Rochie - THE GLASS
"The program opened boldly with the world premiere of Peri Mauer’s Illuminations of
the Night, a work drawing its inspiration from observations by the composer of
changes in the city as she often worked through the night composing. Not surprisingly,
this Manhattan cityscape even alludes to such familiar urban night sounds as garbage
trucks and passing sirens, as well as serene and suspended interludes of relative
quiet. The orchestration was expert, and the formal structure of the piece clearly
defined. Beginning dramatically with aggressive brass and percussion, such
challenging statements gave way to a beautifully transparent interlude before the city
seemed once again to awaken in all its vitality." - Andrew Rudin soundwordsight.com
May 27, 2013
Andrew Rudin - SoundWordSight an arts magazine
"David Leibowitz conducts the world premiere of Illuminations of the Night, a new
piece by skillful cellist and composer Peri Mauer"-Time Out NY
Steve Smith - Time Out New York
“The New York Repertory Orchestra proudly presents its 2012-13 season finale
featuring a world premiere by Peri Mauer alongside works by Jean Sibelius and Claude
Debussy. Led by conductor David Leibowitz, the concert features guest artist, violinist
Airi Yoshioka, and takes place on Saturday, May 18th at 8pm at The Church of St.
Mary the Virgin in Times Square. ”
Music News Desk - BroadwayWorld.com
"...followed by the world premiere of Peri Mauer's colorful, spirited "Pixeliance" for
flute, harp and marimba, expertly performed by Mary Barto, Ashley Jackson and Mike
Truesdell."
Leonard J. Lehrman - New Music Connoisseur Spring/Summer 2012
“Peri Mauer’s innovative compositions are at the forefront of contemporary music, and
Nudibranch Friday is clearly one of her most captivating and imaginative
compositions.”
David M. Abrams - Sound Word Sight
“'Dutchess Starlight Revisited' by Peri Mauer/cello, with Elliott Sharp/guitar and Art
Baron/trombone, was a beautiful piece that exuded a sharp tenderness matched only
by its near perfect arrangement. The combination of the three musicians brought out
the joy and heartache of the composition, its notes reverberating in the air like ripples
on the surface of a pond. Peri's playing was superb, her cello hummed with the gentle
yet powerful vibration of her soul.
http://studiophoenix.blogspot.com/2012/02/composers-concordance-festival-
part_11.html”
Kerwin Williamson - Studio Phoenix Blogspot
"Peri Mauer’s “Rhapsodance,” vibrantly interpreted by Moran Katz, a clarinetist, and
Alexandra Joan, a pianist, set a tart chromatic melody dancing to frisky rhythms akin
to Poulenc." http://www.nytimes.com/2011/09/05/arts/music/the-here-and-now-
series-at-bargemusic-review.html?_r=3&ref=music
Steve Smith - The New York Times
“REVIEW (excerpt): BLOGARHYTHM, Peri Mauer, composer and conductor Music With
A View, April 1, 2011 "The piece opened with an enormous wavelike crescendo,
arching together the polyrthyms of multiple musical lines, in one energetic gesture -
Ms. Mauer said that this was inspired by walking through the Times Square subway
station at rush hour. The powerful opening was quite exhilarating and raucous, yet it
was amazing how articulate it was, and the lines held together (much like a Mahler
ending, except more so). This wave was repeated throughout the piece, in gentler
and rhythmically appealing form; and, it alternated with lyrical solo and other
passages that were lovely, and which showcased the fine musicianship of the
individual performers. The effect was both energetic and mesmerizing - the rhythmic
'blog' wave of the complex urban world in contrast to the beautiful voices of the
individual instruments." ”
Mark Greenfest, freelance contributor New Music Connoisser. April 5, 2011
"Peri Mauer has the soul of a poet"
John Eaton, New York Composers Circle
“AFTERWORDS, a concise, gripping trio by composer Peri Mauer.”
Suzanne Mueller, CROSS ISLAND January 23, 2011
"Morning Night and Noon for two clarinets by Peri Mauer stood out as appealing and
original. Ismail Lumanovski and Vaski Dukovski reacted to each other and to the
music with imagination and energy. In Night one truly felt midnight’s eerie darkness.
Her portrayal of the composer David Noon (Ms. Mauer’s former teacher) was vibrantly
eccentric and electrically charged. The music displayed creativity throughout the
triptych." ~ La Folia Online Music Review May 2010
La Folia Online Music Review
Show less