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Peter Kogan

Peter Kogan began musical studies at age six on the violin, added piano at age eight and drums at age ten. A year later he began serious study with Saul Goodman, timpanist of New York Philharmonic, who would continue to mentor him through high school and undergraduate study at Juilliard. He completed studies at the Cleveland Institute of Music under the tutelage of Cloyd Duff of the Cleveland Orchestra. He joined the Cleveland Orchestra under George Szell in 1969 as Section Percussion. Three years later he was appointed Principal Percussion and Associate Principal Timpani of the Pittsburgh Symphony.

In 1977 his passion for jazz blues and rock got the better of him, and he left the Pittsburgh Symphony to spend six years in New York City as a drum set player and composer. He backed up Blues legends Lightnin' Hopkins, Honey-Boy Edwards and Jimmy Whitherspoon, groups such as the Drifters and the Crystals, and Rock and Roll legend Bo Diddley. He also performed with the Larry Elgar big band and wrote for and performed with the fusion band, Scratch n' Sniff. His work in New York received recognition in a profile that appeared in Modern Drummer magazine. He joined the Honolulu Symphony as drum set player and timpanist in 1984, and joined the Minnesota Orchestra as principal timpani two years later.

Kogan is on the affiliate faculty of the University of Minnesota School of Music, is a member of the Symphonic Committee of the Percussive Arts Society, and designs and builds Klassischewienerpauken ™ (classical viennese timpani) for historically appropriate performances. His drums and restoration service can be seen at klassischewienerpauken.com

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Cornucopia Peter Kogan Self-released Peter Kogan, principal timpanist with the Minnesota Orchestra, is a great example of a skilled percussionist who happens to make his primary living as a classical musician. Actually, Kogan spent six years playing jazz and blues in New York City and also played drumset with the Honolulu Symphony. Not only does Kogan play drumset on Cornucopia, he also composed all of the tunes and helped produce the CD. After listening to the recording, it is obvious he has a great knowledge of jazz history, style awareness, and gets around the drums with ease. The tunes vary in instrumentation from a quartet to an octet and include Kogan, Craig Hara, Cornucopia Peter Cogan Self-released Peter Kogan, principal timpanist with the Minnesota Orchestra, is a great example of a skilled percussionist who happens to make his primary living as a classical musician

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Discography

SOME MONSTERFUL WONDERTHING

SOME MONSTERFUL...

KOGANOTE RECORDS
2015

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CORNUCOPIA

CORNUCOPIA

KOGANOTE RECORDS
2013

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