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Petter Eldh
Three events that shaped Frans Petter´s musical journey: Bought his first hip hop album when he was nine years old. Dr. Dre – The Chronic. Bought his first album with extreme improvisation when he was 13. That was a Charlie Parker compilation. After one week of constantly listening to the multilayered flow of Charlie Parker he heard Peter Brötzmann play live.
Frans Petter Eldh was obsessed with Jazz, Classical, Soul, Reggae, Swedish folk music, Middle-Eastern and Hip Hop at an early age and collected vinyl since the age of 7. He initially played guitar before switching to what became his primary instrument, the double bass. Early influences, Charles Mingus, Anders Jormin, Charlie Haden, Charlie Parker, A Tribe Called Quest, Monica Zetterlund, Samla Mammas Manna, Aretha Franklin and Earth Wind and Fire have guided his diverse output as a musician.
Long-standing collaborations include the following erratic and progressive forces: Amok Amor, Django Bates Beloved, Jameszoo Quartet, Enemy (Kit Downes/James Maddren), Lucia Cadotsch Speak Low, Hayden Chisholm, Gard Nilssen’s Acoustic Unity, Peter Bruun, Christian Lillinger, Benoit Delbecq and Kaja Draksler. As a producer he has remixed work by Jameszoo – Flake (Brainfeeder), Andromeda Mega Express Orchestra – Vula (Afterhours), Speak Low (Enja) and releases his own music on Galatea Records.
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Gard Nilssen's Supersonic Orchestra: Family
by Mark Corroto
Why can't all music be supersonic? That does not mean supersonic as in a speed exceeding that of sound, but sound that is sonically superlative. Drummer, composer, and bandleader Gard Nilssen's music is seemingly always sonically superb. His 17-piece Supersonic Orchestra was captured in 2022 at the Mondriaan Jazz Festival in Den Haag, Netherlands, for Family, his follow-up to If You Listen Carefully The Music Is Yours (Odin 2020). The Supersonic Orchestra is made up of seven saxophones ...
read moreGard Nilssen's Acoustic Unity: To Whom Who Buys A Record
by Chris May
In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be the missing link between Albert Ayler and Black Sabbath and which he co-founded in 2003; the more recently formed Amgala Temple, which draws comparisons ...
read morePunkt. Vrt. Plastik: Zurich Concert
by John Sharpe
Over the course of the five years since its inception, Punkt. Vrt. Plastik, the trio of Slovenian pianist Kaja Draksler, Swedish bassist Petter Eldh and German drummer Christian Lillinger, has become one of the premier bands on the European circuit. Definitive proof arrives in the shape of Zurich Concert, the threesome's third album, recorded at the 2021 unerhört!-Festival in the titular Swiss city. Although all but one of the selections appear on the outfit's first two releases, they present differently ...
read moreGard Nilssen Acoustic Unity: Elastic Wave
by Chris May
The last time we heard from Norwegian drummer Gard Nilssen as a leader was with his Supersonic Orchestra—a three-drummer, three-bassist behemoth whose 2020 album, If You Listen Carefully The Music Is Yours (Odin), proved that, contrary to the precedent set by Stan Kenton, it is possible to assemble a big band packing Death Star-level ordnance which nevertheless allows for subtlety, agility and humanity. Extraordinarily prolific, Nilssen has since 2007 recorded over seventy albums, a fair few of ...
read moreKit Downes, Petter Eldh, James Maddren: Vermillion
by Mike Jurkovic
It shouldn't be tough to tell an artist open to alternate creation that their initial ideas behind any work of art—music, novel, portrait, sculpture—missed the intended target but the fall zone yielded some truly ecstatic, celebratory moments. Quite a few of them to be exact. In the promo attending his third album for ECM, classically trained pianist and killer organ scholar Kit Downes reveals that, as these fruitful sessions got underway in May/June 2021 at Auditorio Stelio Molo ...
read moreLucia Cadotsch: Speak Low II
by Friedrich Kunzmann
On their sophomore effort, the multinational European trio around Swiss vocalist Lucia Cadotsch follows the band's initial instinct of organically dissecting and rearranging old favorites of the respective band members. This time around the trio is expanded by English keyboartdist Kit Downes' occasional organ embellishments and Lucy Railton's additions of odd melodic cello lines to conceptually intricate arrangements. The group's nearly-chordless and drum-free approach is able to conjure intimate spaces and fragile constructs while at the same time capturing not ...
read moreDjango Bates: Tenacity
by Pat Youngspiel
Few jazz artists go to such great lengths to make their audience feel at the same time bewildered by humor-infused technical exhaustion and smitten by charm and sheer musical beauty as Django Bates does. The English pianist and composer has gained a reputation over the years, for bringing the quirkiest and widest range of ideas and styles to a, more or less, aesthetically-serious art form. Some might even claim he's the Frank Zappa of jazz. Then again, who's to say ...
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