Pinetop Perkins was one of the last great Mississippi bluesmen still performing. He began playing blues around 1927 and is widely regarded as one of the best blues pianists. He created a style of playing that has influenced three generations of piano players and will continue to be the yardstick by which great blues pianists are measured.
Born Willie Perkins, in Belzoni, MS, in 1913, Pinetop started out playing guitar and piano at house parties and honky- tonks but dropped the guitar in the 1940s after sustaining a serious injury in his left arm. Perkins worked primarily in the Mississippi Delta throughout the thirties and forties, spending three years with Sonny Boy Williamson on the King Biscuit Time radio show on KFFA, Helena, Arkansas. Pinetop also toured extensively with slide guitar player Robert Nighthawk and backed him on an early Chess session. After briefly working with B.B. King in Memphis, Perkins barnstormed the South with Earl Hooker during the early fifties. The pair completed a session for Sam Phillips’ famous Sun Records in 1953. It was at this session that he recorded his version of Pinetop Smith’s Boogie Woogie.
By this time, Pinetop had developed his own unmistakable sound. His right hand plays horn lines while his left kicks out bass lines and lots of bottom. It was Pinetop, along with Pete Johnson, Meade Lux Lewis, Albert Ammons, and Little Brother Montgomery, who provided the basic format and ideas from which countless swing bands derived their sound - whole horn sections playing out what Pinetop’s right hand was playing. Although Pinetop never played swing, it was his brand of boogie-woogie that came to structure swing and, eventually, rock ‘n’ roll.