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Punch Brothers are the quintet of mandolinist Chris Thile, guitarist Chris Eldridge, bassist Paul Kowert, banjoist Noam Pikelny and violinist Gabe Witcher. Says the Washington Post, “With enthusiasm and experimentation, Punch Brothers take bluegrass to its next evolutionary stage, drawing equal inspiration from the brain and the heart.” Their upcoming album, All Ashore, is out July 20 on Nonesuch Records. All Ashore follows Punch Brothers’ critically acclaimed T Bone Burnett–produced 2015 release, The Phosphorescent Blues, of which NPR said, “Punch Brothers sing of distraction and isolation in the digital age...the sound is all their own.” For All Ashore, the quintet again attempt to make sense of the world around them.

As Thile says, the album is “a meditation on committed relationships in the present day, particularly in the present climate.” He continues, “We were hoping to create something that would be convincing as a complete thought, in this case as a nine-movement, or nine-piece, thought. Though it’s rangy in what it’s talking about, and in the characters who are doing the talking…”

Punch Brothers returned to the same room at United Recording Studios in Hollywood (formerly Ocean Way) where they had recorded both The Phosphorescent Blues and their 2010 Jon Brion–produced Antifogmatic. Thile says they felt they had “established a rapport” with the space; the same “level of trust and love that breeds confidence” also led them to produce the album themselves, for the first time.

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Album Antifogmatic by Punch Brothers

Antifogmatic

Nonesuch Records
2010

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