Ricardo Pinheiro

Ricardo Pinheiro completed a Degree in Music at Berklee College of Music, Boston; Degree in Psychology Sciences at the Universidade de Lisboa; and a PhD in Musicology (Ethnomusicology) at the Universidade Nova de Lisboa. He studied with Mick Goodrick, George Garzone, Ed Tomassi, Ken Pullig, Wayne Krantz, Ken Cervenka, Chris Washburne and Salwa Castelo-Branco. He played/recorded with Peter Erskine, David Liebman, Chris Cheek, Tim Hagans, Andrew Rathbun, Aubrey Johnson, Mário Laginha, Eric Ineke, Perico Sambeat, Stephan Astbury, João Paulo Esteves da Silva, Remix Ensemble, Matt Renzi, Jon Irabagon, John Gunther, Mike Del Ferro, André Charlier, Benoît Sourisse, among many others. He teaches at the Escola Superior de Música de Lisboa, and is the Director of its Masters in Music Program. He played and participated in conferences and meetings in Austria, Greece, Spain, France, The Netherlands, Germany, U.S.A., Denmark, Italy, South Africa, Croatia, among other countries, and published articles in journals such as Acta Musicologica of the International Musicological Society, the Jazz Research Journal, or the International Review for The Aesthetics and Sociology of Music. Scholarships and Awards: Berklee College of Music (2000-2002); Fundação Luso-Americana Para o Desenvolvimento;Centro Nacional de Cultura; Rutgers University - Institute of Jazz Studies - Morroe Berger - Benny Carter Jazz Research Fund; Fundação Para a Ciência e Tecnologia

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Ricardo Pinheiro guitar

April 15, 2009

Ricardo Pinheiro's New Record out in June

”He has a distinctive sound and I thought then that he had a lot going for him (...) The trio’s set on Triplicity is a superbly collective effort (...) Each member is highly original both in their individual improvisation and their collaborative interplay but no one seeks to overshadow another. Their album is an intriguing mix of novel and imaginative interpretations...” — Brian Payne (JazzJournal.co.uk) “‘Triplicity' is one of the most exceptional guitar productions that have appeared in jazz in recent years.” — Cyriel Pluimakers (Jazzenzo.nl) ” (...) I would venture to say that I’ve yet to hear another guitar-bass-drums trio that sounds so refreshingly different. What I came away with was a unique listening experience centered around a textured mood; a string and percussion sonority. As the principal melodic voice on the CD, guitarist Pinheiro brings off this role with a measured grace. In a setting made for overplaying, he never does. While explorative, his playing is restrained and selective” — Steve Cerra (www.jazzprofiles.blogspot.com) “With thrilling solos by saxophonist Quinsin Nachoff and guitarist Ricardo Pinheiro, as well as feature work throughout the concert by flugelhornist Tim Hagans, Rathbun and The Atwood Suites were easily the crown jewel of the festival’s final five nights” — Michael West (Downbeat Magazine) ”Pinheiro’s groove is contagious. His ability to stretch bars or leave turnarounds be seems in-built” — François Van de Linde (Flophouse Magazine) ”Pinheiro provides beautiful variations of the melody on the high guitar strings, displaying a sonority that is like vintage wine from the Portuguese midlands” ”Pinheiro’s playing also evokes the exciting synthesis between hard bop, cool, and Brazilian music that emerged in the 1960s under the influence of Stan Getz and Charlie Byrd” — Victor L. Schermer (www.allaboutjazz.com) ”A conversation between Liebman’s sensual soprano and Pinheiro’s spicy acoustic guitar is the centre of the warm-blooded piece of folk jazz, Coração Vagabundo. On the other tunes, Pinheiro plays electric guitar, employing a prickly, Jim Hall-ish sound, and daring to turn into eccentric pathways during his concise stories” — François Van de Linde (Flophouse Magazine)

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