Some people seek out a career in music, and some just cannot escape it. As an only child growing up in Philadelphia, gospel music and musical instruments surrounded Rodney Green at home and in church, where he spent most of his time. His father was a preacher and organist, and his mother sang in church. Rodney was drawn to the drum kit, and by age three, would climb on the kit play whenever possible.
By his early teens, Green was playing drums in church, but outside he was being exposed to other kinds of music like jazz. His older cousin, also a musician, introduced Rodney to jazz, funk, and soul music, and (along with his high school band teacher) started him listening records like, “A Love Supreme,” “Transition,” and “Four More”. He was blown away by Elvin Jones and Tony Williamsall of the sounds they got out of the drums as well as their range, style and technique. Rodney soon realized that music could be a profession, and not just a hobby. He knew that playing the drums was his calling.
Percussionist Scott Robinson was impressed with Rodney’s playing but realized the young drummer didn’t realize what he was doing, since he was just playing by ear. Robinson offered to teach him for free, and at 14 years old, Rodney got his first lesson.
It wasn’t long before the young musician started to sneak out to local clubs to see live music and play gigs. He got to know many of the up and coming musicians on the Philadelphia jazz scene including pianist, Orrin Evans, trumpeter, Duane Eubanks, and bassist Christian McBride. At the age of 16, friend and drummer Brian Frasier Moore left his gig at Patti LaBelle’s club, Chez LaBelle, and Rodney took over. He influenced the club’s manager to start a Sunday Jazz Brunch, and soon Green was booking musicians like pianist, Evans and saxophonist Sam Newsome at the club. Legendary musician, Bobby Watson was so impressed with the young drummer that he called his parents to ask their permission to take Green to Italy with him, and after much persuasion, they agreed.