Russ Spiegel

Primary Instrument

Guitar

Location

Brooklyn, NY

Willing to teach

Beginners

Credentials/Background

Teaching Experience:
2005 – 2008: Guitar Instructor & Band Coach for the hit Nickelodeon TV show “The Naked Brothers Band.”
2007:Online Facilitator, Masters Level, Jazz Arranging Course, Boston University.
2004-2006: Graduate Assistant to undergraduate jazz ensembles, City College; Instructor, National Guitar Summer Workshop, New Milford, Connecticut.
2006: Guest Instructor, State of Hesse youth championship small ensemble and big band winners (Jugend jazzt), Germany.
2004-2006: Instructor, National Guitar Summer Workshop, New Milford, Connecticut; Graduate Assistant to undergraduate jazz ensembles, City College.
2002-2004: Guitar Instructor at Slope Music, Brooklyn.
2000: Instructor for State of Hesse Youth Big Band, Germany.
1998-2000: Instructor, Jazz Guitar Master Class, Rhythm Section Workshop, and Jazz Standards Workshop for Kulturwerkstatt Waggong Frankfurt, Germany.
1999: Director, Jazz Improvisation and Rhythm Section Workshop for U.S. Army Band, Wiesbaden, Germany.
1993-97: Instructor, Professional Program, Future Music School, Aschaffenburg, Germany. Contributed to textbooks for use in Harmony/Theory, Ear-Training and Guitar instruction.
1988-92: Director, Jazz Workshop, Jazzclub Rödermark, Germany.
1987-88: Instructor, Assabett School for Continuing Education, Marlboro, Massachusetts; Mercuri Music, Westboro Massachusetts.
Subjects: Guitar, Bass, Repertoire, Ear Training, Rhythm, Harmony/Theory, Composition, Improvisation and Combos. Styles: Jazz, Latin, Funk, Fusion, Blues, Rock and Classical.

Education:
2004-2006: M.A. in Jazz Performance, City College, New York. Studies with Adam Rodgers, Paul Bollenback, Ben Monder and John Patitucci. BMI Jazz Composers Workshop, A Section.
1987-2000: Private lessons with Jerry Bergonzi, Jon Damian, Mike Longo and Jonathan Kreisberg.
1986-88: Certificate of Music, Berklee College of Music, Boston. Recipient of Professional Music Scholarship. Studies in Performance (Guitar), Arrangement and Composition. Instructors: Brett Wilmott, Jim Odgren, Garrison Fewell, Charles Chapman, and Al Defino.
1982-1984: B.A. in Philosophy, University of Michigan, Ann Arbor.

Workshops and Seminars:
Having taught in schools, universities, and a variety of workshops, and with an extensive amount of experience in all aspects of music creation, I am available for workshops and seminars. I teach the following subjects:
Jazz, Rock, Blues, Latin Guitar
Improvisation
Arranging and Composition
Rhythmic skills
Big Band performance
Small band coaching
Private Instruction:
Over 25 years experience teaching all levels and all ages, I am currently accepting applications for new students in the New York area. Ask me about my rates.

Clinic/Workshop Information

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Primary Instrument

Guitar

Location

Brooklyn, NY

Willing to teach

Beginners

Credentials/Background

Teaching Experience:
2005 – 2008: Guitar Instructor & Band Coach for the hit Nickelodeon TV show “The Naked Brothers Band.”
2007:Online Facilitator, Masters Level, Jazz Arranging Course, Boston University.
2004-2006: Graduate Assistant to undergraduate jazz ensembles, City College; Instructor, National Guitar Summer Workshop, New Milford, Connecticut.
2006: Guest Instructor, State of Hesse youth championship small ensemble and big band winners (Jugend jazzt), Germany.
2004-2006: Instructor, National Guitar Summer Workshop, New Milford, Connecticut; Graduate Assistant to undergraduate jazz ensembles, City College.
2002-2004: Guitar Instructor at Slope Music, Brooklyn.
2000: Instructor for State of Hesse Youth Big Band, Germany.
1998-2000: Instructor, Jazz Guitar Master Class, Rhythm Section Workshop, and Jazz Standards Workshop for Kulturwerkstatt Waggong Frankfurt, Germany.
1999: Director, Jazz Improvisation and Rhythm Section Workshop for U.S. Army Band, Wiesbaden, Germany.
1993-97: Instructor, Professional Program, Future Music School, Aschaffenburg, Germany. Contributed to textbooks for use in Harmony/Theory, Ear-Training and Guitar instruction.
1988-92: Director, Jazz Workshop, Jazzclub Rödermark, Germany.
1987-88: Instructor, Assabett School for Continuing Education, Marlboro, Massachusetts; Mercuri Music, Westboro Massachusetts.
Subjects: Guitar, Bass, Repertoire, Ear Training, Rhythm, Harmony/Theory, Composition, Improvisation and Combos. Styles: Jazz, Latin, Funk, Fusion, Blues, Rock and Classical.

Education:
2004-2006: M.A. in Jazz Performance, City College, New York. Studies with Adam Rodgers, Paul Bollenback, Ben Monder and John Patitucci. BMI Jazz Composers Workshop, A Section.
1987-2000: Private lessons with Jerry Bergonzi, Jon Damian, Mike Longo and Jonathan Kreisberg.
1986-88: Certificate of Music, Berklee College of Music, Boston. Recipient of Professional Music Scholarship. Studies in Performance (Guitar), Arrangement and Composition. Instructors: Brett Wilmott, Jim Odgren, Garrison Fewell, Charles Chapman, and Al Defino.
1982-1984: B.A. in Philosophy, University of Michigan, Ann Arbor.

Workshops and Seminars:
Having taught in schools, universities, and a variety of workshops, and with an extensive amount of experience in all aspects of music creation, I am available for workshops and seminars. I teach the following subjects:
Jazz, Rock, Blues, Latin Guitar
Improvisation
Arranging and Composition
Rhythmic skills
Big Band performance
Small band coaching
Private Instruction:
Over 25 years experience teaching all levels and all ages, I am currently accepting applications for new students in the New York area. Ask me about my rates.

Clinic/Workshop Information

JAZZ WORKSHOP PROPOSAL -Playing Jazz- For: Guitarists, Entire Class or Specific Instrumentalists Level: Beginner to Advanced Section 1: Repertoire Topics: • Learning tunes • Seeing/hearing intervals for chords & melodies • Playing in other keys • Playing in other styles/time signatures • Learning from recordings (increasing depth of knowledge & various interpretations) • Transcription • Section 2: Solo Concepts Topics: • Rhythmic Superimposition • “Pre–Hearing” Chord Changes, Rhythms & Melodies • Chordal–based ideas • Rhythmic Cells • Appoggiatura • The Stop–Chorus • Advanced scalar/melodic ideas • Freeing the Ego (Pure Expression) • Section 3: Interaction Topics: • Comping concepts • Playing over bar lines via rhythmic superimposition/hemiolas • Hearing/Feeling 4–bar, 8–bar & Song Forms • The Bass/Drum Nexus • Intensity/Density • Breathing • Recognizing Patterns • “Filling in the Blanks” • Interaction/listening with/to other band members • Length of Workshop: Variable: based on time/availability/finances. Minimum 2 hours but may go over 2 days (up to 4 hours/day). Number of Students: 3 or more. Requirements: Closed room, drum set, piano, guitar & bass amplifiers, music stands. Students should bring notebooks and writing utensils as well as their instruments. Number of Instructors: 1 Price: negotiable

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