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Sam Gill
Sam Gill is a saxophonist, improviser & composer based in Sydney, Australia. He leads the groups Coursed Waters & Scattered, is a member of the composer-performer collectives Mind on Fire & Microfiche, and has duo projects with electric bassist Joseph Franklin and drummer Simon Barker.
Sam has performed with a number of Australia's most acclaimed improvisers including Chris Abrahams, Chris Hale, Marc Hannaford, Matt McMahon and Scott Tinkler. He has also worked with the Australian Art Orchestra and world-music ensemble Mara!, and is a member of Yutaro Okuda Quintet and Nick Calligeros' Soft Spot.
Performance highlights have included appearances at Copenhagen Jazz Festival, IBeam (NYC), the Australian Art Orchestra’s Meeting Points Series, SIMA’s International Women’s Jazz Festival, the NOW now Festival, the Jazzgroove Association Featured Artist series, Converge Festival, and Wollongong’s Speak Satellite Festival.
Sam has appeared on numerous records as a leader/co-leader, with releases on the labels Creative Sources, Earshift Music and his own label Radial Sounds. As a band-member, he can be heard on Okay (2017) by the Sydney Conservatorium Jazz Orchestra, and From The Depths (2020) by Sideband.
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Sam Gill's Scattered: Perspectival
by Troy Dostert
Sydney-based saxophonist Sam Gill maintains a prodigious range of projects, ranging from the heady post-bop intricacies of his Coursed Waters quartet to Mind on Fire, an exploratory duo with his brother, vibraphonist Brad Gill. What animates Gill's music is a search for ways of bringing freedom to compositional forms, and finding surprising detours that defy expectations. This modus operandi is amply present on Perspectival, a subdued chamber jazz recording that merges rigor with indeterminacy, performed with consummate skill by Scattered, ...
read moreSam Gill's Coursed Waters: Many Altered Returns
by Jerome Wilson
Sam Gill is an alto saxophonist from Sydney, Australia who on this release with his quartet, Coursed Waters, plows a similar musical furrow as Tim Berne. His group plays an interesting blend of involved written-music and free improvisation with an elastic sense of volume and tempo. The CD's opening track, Nodap," starts with a climbing, angular melody that alternates between lively and mournful moods and turns into a cauldron of potent improvised rumbling that spotlights the cohesiveness between ...
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