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Sammy Lawhorn

Samuel David Lawhorn was born in Little Rock, Arkansas, on July 12, 1935, to J. C. and Estella Lawhorn. Soon afterward, his parents separated and his mother remarried. His stepfather's name was Ferman Gilbeit and in his early years, Gibeit was the only father that Sammy knew. The couple later moved to Chicago, leaving young Sammy behind to be raised by his grandparents in Arkansas. Little Rock proved to be an inspiring locale for Sammy, as he became interested in the Blues music that he first heard being played by blind street musicians. Well-known musicians from Texas such as Lightnin' Hopkins, T-Bone Walker and Lowell Fulson would also pass through the city on occasion, catching the ear of the youngster. Like many Blues musicians of his generation, Sammy's first instrument was the diddley-bow he made on the side of his grandparent's home using nails and bailing wire. He made regular trips to Chicago to visit his mother and stepfather. Noticing his interest in music, his mother bought him his first real instrument: a ukulele. He soon upgraded to an acoustic guitar and despite his love for Blues, he began playing the sanctified music of his church. His progress impressed his mother even more and during another visit to Chicago, she purchased an electric guitar for him. It only took Sammy the next two years to teach himself to play guitar. His stepfather would take him to the clubs in Chicago so he could gain inspiration and technique from the local Blues masters. It has been said that even Big Bill Broonzy took note of the teenager, offering insight and pointers. By the time that he was 15, Sammy had already developed enough skills to be hired to accompany harmonica player, Elmore Mickle, better known as Driftin' Slim. This led to work with Sonny Boy Williamson (Rice Miller), including appearances on the famedKing Biscuit Radio Show. Another artist he occasionally sat in with was guitarist, Houston Stackhouse, who taught Lawhorn the fine craft of playing slide guitar. In 1953, Sammy Lawhorn was inducted into the military. He spent a tour of duty in Korea with the Navy as an aerial photographer and was even wounded during one such flight into combat. Lawhorn remained in the service until discharged in 1958. He then returned to the Delta; once again taking up playing the Blues. He reportedly made several recordings in Memphis during this period, including sessions with Roy Brown, Eddie Boyd and the Five Royales.

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