Although overshadowed in the annals of blues history by her contemporaries Gertrude Ma Rainey and Bessie Smith, Sara Martin was a true pioneer in her own right as a performer and recording artist. Martin was a popular vaudeville act on the Theater Owners' Booking Association (TOBA) circuit that showcased African-American artists, and she also enjoyed a prolific career as a recording artist on the OKeh and Columbia labels.
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