Ese cachorro está que muerde.
Paquito d'Rivera, Borrachito 2011
Sergio Pamies, a young Andalusian pianist, makes this recording a great entry into
Spanish discography. A Jazz record? Not only. Flamenco? Not only. Maybe we are
talking about flamenco-jazz? Not exactly. This Borrachito goes beyond the mere
juxtaposition of two genres (as we see too often). This record marks the concern of a
musician who has bathed in flamenco music and cannot (and does not want to)
discard it, as well as his attraction for the great music of the twentieth century, jazz.
Patrick Dalmace, Jazz Hot Magazine (France) 2013
Pamies chooses elegance (above other qualities), displaying such a great ability at the
level of the legends of Flamenco jazz and Latin jazz.
Martí Farré, JAÇ Magazine (Spain) 2012
Flamenco and jazz interact, not just complementing each other, but melting together.
January Ruiz, W1M World Music Magazine (Spain) 2012
Rich DeRosa arranged Shorter's Infant Eyes and Silver's Song for My Father, the
last featuring the band's talented pianist, Sergio Pamies
Jack Bowers, allaboutjazz.com 2014
Sergio Pamies, pianist of the new batch of Granada, whom some recognize the new
Chema García Martínez, El País (Spain) 2008
Pamies has a solid jazz formation and an undoubted talent for composition.
Karles Torra, La Vanguardia 2008
Yet, it did not sound like imitating Domínguez's approach