The career of the late Sonny Sharrock is unique in modern jazz. He first aspired as a doo-wop singer, determined to take music as his vocation after listening to Miles Davis' Kind of Blue. Aspired to play saxophone but instead took up guitar in his early 20's due to asthmatic conditions, nonetheless he emulated his guitar styling after the energy players such as Coltrane and Pharaoh Sanders. He appeared as a cameo in Mile Davis' Jack Johnson album and Wayne Shorter's Super Nova album as well. His most notable appearance was his duel with Sanders on Taulid and Izipho Zam. His primal tone with gusto was indeed a one-of-a-kind. Although his didn't employ massive distortion to create the full-on blast, Sharrock's buzz saw lines with slamming dissonant chords were definite a character in the late '60s free jazz scene.
After playing free jazz with Pharoah Sanders, while he was playing funk-jazz with Herbie Mann, guitarist Warren Sonny Sharrock recorded three albums with his wife Linda Sharrock's wordless vocals: “Black Woman,” ( 1969), featuring the first version of his signature tune “Blind Willy,” “Monkey-Pockie-Boo,” (1970), possibly his most personal album; and Paradise (1975), introducing electronic keyboards in the sound of the couple and emphasizing Linda's vocal workouts, an avant-funk experiment that predated the new wave of rock music. The background of his guitar playing was fundamentally the blues, but at the same time he displayed a loud, aggressive, feedback-laden, quasi heavy-metal technique.