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Supersilent Supersilent

Supersilent is, in a sense, the flagship band of Rune Grammofon, and seems to embody the label’s manifesto. Supersilent was formed by the alliance of an existing improvisation group called Veslefrekk with ten years of playing history behind them. They played together for the first time, without any prior rehearsal, at the Bergen Jazz Festival in 1997 and immediately made headlines. The musical success of the experiment convinced the participants that this had to be a permanent group, and they went into the studio to play many hours of non-stop improvisation from which their debut triple album, “Supersilent 1-3”, was ultimately drawn. “1-3” was released in Norway in January 1998.

Supersilent (the name, by the way, derives from a logo on the side of a truck spotted in Oslo) was quick to build a reputation as one of Scandinavia’s most viscerally exciting concert acts. There is a dangerous unpredictability about their music, a sense that anything can happen. All parameters are open. From moment to moment, they can touch on elements of hardcore noise, imply industrial soundscapes, recall Miles at the Fillmore or Stockhausen in Donaueschingen, or play the most delicate and filigree ‘ambient’ sound-washes. There is a savage beauty in this music, with lyricism and disruptive fierceness counterbalancing each other. In brief, Supersilent stretches definitions of jazz to near breaking point, yet at the same time its members’ improvisational skills are finely honed, all four players and Sten/Deathprod must be considered a player, too, not just the wild card - know how to listen, how to react and interact. And if jazz can still be considered the ‘sound of surprise’ then Supersilent fulfils the description. Helge Sten, Ståle Storløkken, Arve Henriksen, and Jarle Vespestad still don’t rehearse or even discuss their music. They meet only to play concerts or to record.

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Album Review
  • 12 by John Eyles
Live Review
Album Review
  • 10 by John Kelman
  • 9 by John Kelman
  • 8 by John Kelman
  • 6 by Mark Corroto
  • 6 by AAJ Staff
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Finally we can present this longawaited treat of a concert film. The sold out concert took place in Oslo in August last year and was beautifully captured by Kim Hiorthøy and friends to 16 mm black and white film, and later edited by Hiorthøy. The sound was recorded by Athletic Sound and mixed by Helge Sten. Needless to say, it looks and sounds fantastic. The concert itself was rewarded a six out of six review at the time in Norway's major national paper Aftenposten. You get the complete concert, 109 minutes, 6 tracks, in the same order as on the night, there are no overdubs or repairs. And there is no bonus material, not even a menu

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Album 12 by Supersilent


Rune Grammofon



Rune Grammofon

Album 10 by Supersilent


Rune Grammofon

Album 9 by Supersilent


Rune Grammofon

Album 8 by Supersilent


Rune Grammofon



Unknown label



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