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Swingin' in Seattle, Live at the Penthouse 1966-1967

Swingin' in Seattle, Live at the Penthouse 1966-1967 by Cannonball Adderley buy album

Cannonball Adderley

Label: Reel to Real
Released: 2018
Views: 4,788

Track Listing

Jim Wilke Intro; Big "P"; Spoken Outro; Spoken Intro; The Girl Next Door; Spoken Intro; Sticks; Spoken Outro; Spoken Intro; The Morning of the Carnival (Manhã de Carnaval) ; Spoken Outro; Spoken Intro; Somewhere; Spoken Intro; 74 Miles Away; Spoken Outro; Back Home Blues; Hippodelphia; Set-Closing Outro.

Personnel

Additional Personnel / Information

Cannonball Adderley: alto saxophone; Joe Zawinul: piano; Victor Gaskin: bass; Nat Adderley: cornet; Roy McCurdy: drums.

Album Description

Swingin' in Seattle: Live at the Penthouse (1966-1967) is a collection of previously-unissued recordings by the Cannonball Adderley quintet captured live at the height of his powers over four nights at the famous Penthouse jazz club in Seattle, WA between 1966 and 1967. Just one week later, Adderley would record his classic Mercy, Mercy, Mercy: Live at 'The Club' album at the Capitol Records studio in Hollywood, CA. This limited-edition deluxe two-LP set features Cannonball Adderley on alto saxophone, Nat Adderley on cornet, Joe Zawinul on piano, Victor Gaskin on bass and Roy McCurdy on drums. The extensive booklet includes rare photos by Tom Copi, Ray Avery, Lee Tanner and others; essays by music journalist Bill Kopp and original recording engineer/Seattle radio DJ Jim Wilke; interviews with drummer Roy McCurdy, Cannonball's widow Olga Adderley Chandler and saxophonist Vincent Herring; plus much more. The vinyl edition is mastered by the legendary Bernie Grundman at Bernie Grundman Mastering Studios in Hollywood, CA and pressed at Microforum Vinyl Record Pressing in Toronto, Ontario. Swingin' in Seattle, along with Etta Jones's A Soulful Sunday: Live at the Left Bank, are the first two releases from the newly-formed Reel to Real Recordings launched by producer Zev Feldman and saxophonist Cory Weeds and focused on important historical jazz releases.


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