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Taeko Kunishima

Taeko Kunishima started playing piano at seven. Particularly taken by Mozart and Beethoven, she later studied classical piano performance at university. On hearing Miles Davis for the first time, her direction changed, leading her to explore the music of many different jazz artists, and to develop her own improvisatory technique whilst studying jazz harmony.

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Taeko Kunishima’s third album finds the pianist (born in Shizuoka, Japan, now based in London) in a mood both lyrical and risk-taking. These nine original compositions fully display Taeko’s way with a melody, but this is jazz with a thoroughly contemporary sound.

Opener “To The Hebrides” is a meditative piano solo, quickly followed by the driving riff of “Return To Life”: Paul Moylan’s powerful double bass and Max Hallett’s shoot-from-the-hip drums are united in urgency. Sean Corby’s eloquent trumpet switches from au naturel to electronic psychedelia, while Clive Bell’s shakuhachi flute brings a lurking samurai menace to “Spring Rain” and “Dusk”

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