Paul Jost (vocals, harmonica), Tony Miceli (vibraphones) and Kevin MacConnell (acoustic bass) make up the jazz collective initially formed by Tony and Kevin, with the purpose of performing the rock music they grew up with in a jazz format. The seeds of this idea were planted in Tony’s 2005 recording “Hippie Jazz”. When Tony heard Paul, a multi-talented musician as well as vocalist, he felt such a strong musical connection that he invited him to be part of the group. Because of Paul’s strong musical influence and arranging talent, Tony and Kevin were convinced the group should have Paul’s name and they became The Jōst Project.
The combination fit and The Jōst Project grew in popularity. Tony’s vibraphone stirs echoes of the famed Modern Jazz Quartet with Milt Jackson. Kevin’s lyrical playing is an essential element and Jost invokes blues, mainstream, and scat stylings in his unique introspective way bringing out the emotions contained in the songs. It’s immediately evident that these skilled artists each bring their distinctive experience and approach to this blended collective.
About the Music:
Standards from the Great American Songbook and the mainstream jazz repertoire have long held sway in jazz performances. But the so-called “baby boomers” and subsequent generations came of age with rock and roll, the Beatles, hard rock, and other genres which are rarely played by jazz groups. While the harmonies are not necessarily in line with more recognizable jazz progressions, such music is well within the scope of the modal and melody-based jazz of Miles Davis’ “Kind of Blue” and other post-bop developments in jazz.