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Thomas Mackay

Bio Thomas Mackay — Vibraphonist, Composer, Educator " Thomas owes an obvious debt to the great Bobby Hutcherson. With a clear tone, strong chops and good ideas he is also reminiscent of modern vibes masters Bryan Carrott and Joe Locke.A fine debut from a fellow Oregonian." - - Rob Scheps, NYC Jazz icon, independent review of " Jackson" (May 15, 2013) Born in 1967 in Oakland, Nebraska, Thomas started his musical studies at the early age of five in piano and percussion. Mr. Mackay has mentored under Mike Blake, Gordon Stout and Bill Molenhof. He studied jazz and classical percussion at The Birch Creek Music Academy, The University of North Dakota, and Casper College. He has performance experience in many genres, from sharing the stage as a mallet percussionist with jazz artists such as Clark Terry, David Valdez, and Rob Schepps, to the psychedelic genre of Martin Fierro (Grateful Dead and Quicksilver Messenger Service), Terry Haggerty (Sons of Champlin), Merle Saunders (Jerry Garcia Band) as well as the world renowned 3 Leg Torso. He is currently serving as adjunct faculty with the Hawaii Youth Percussion Ensemble. Mr. Mackay is an endorsed Artist/ Clinician for Malletech mallets, omega vibraphone and pickup system. Thomas took an 8 year break from touring and recording as a vibist. He subsequently was diagnosed with Celiac Disease in April of 2012. By June of 2012 he experienced a remarkable recovery being “gluten-free”and went on to form "The Mackay Project" an ensemble that featured his original compositions and focused on the modern side of jazz. The Mackay Project leaned more towards groove oriented tunes (break-beat, hip hop, reggae as well as straight ahead jazz). In June of 2013 Mr. Mackay released his first CD of The Mackay Project "Jackson", under the Hammondbeat Records label. While recording Jackson, there were two weeks of studio down time which was used to record yet another session of jazz standards. “Here’s That Rainy Day” was released under the Hammondbeat Records label in the fall of 2013. “The Thomas Mackay Quintet" features tenor sax player Bud Berlingeri, formerly of the Louie Prima band from 1952 to 1954. “Here’s That Rainy Day” is a departure from Mr. Mackay's four mallet style and concentrates on the two mallet style of vibraphone greats Milt Jackson and Coleman Hawkins. Thomas is also an active reggae keyboardist and drummer. He has played and recorded with Studio One reggae legend Norma Fraser.

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Press - ““Examples include ‘Afterthought’, the opening track on Jackson, and ‘Sphereology’, on which spare, economic work by Mackay maintains the ‘vibes song’ feel. But just when you’re enjoying the application of vibes as a rhythmic, structural component, Mackay steps out and rips, the title track on Jackson being a shining example of the vibes soloist unleashed. — John D’Agostino, host of Johnny D’s Jazz Journal on KSDS-FM/Jazz88.3 in San Diego, CA, and former music columnist for the Los Angeles Times” - "What especially comes across in every track of this recording is the uplifting spirit and positive energy that Thomas and the band members bring to the table." Ed Saindon (World acclaimed vibist/ Educator, Berklee College of Music) Ed Saindon - Independent review - " Thomas is truly one of the most gifted vibes players in the Pacific Northwest area" Chris Orsinger - The Jazz Station, event press release - " Thomas owes an obvious debt to the great Bobby Hutcherson

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Music

Recordings: As Leader | As Sideperson

J'ourvet

Hammondbeat Records
2015

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Jackson

Hammondbeat Records
2013

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Here's that rainy day

Hammondbeat Records
2013

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