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Tim Landers

Tim hails from the Boston area and attended Berklee College of Music as well as studying with Neil Stubenhaus and Whit Brown. After two semesters and a brief tour with Al Kooper at eighteen years old, Tim moved to New York City and resided there for the next six years where he played and recorded with Al DiMeola, Billy Cobham, Mike Stern, Gil Evans, Michael Brecker, Tiger Okoshi, Bill Frisell, and many more. In the mid-1980's, Tim switched to the west coast where he soon established himself as one of LA's top session bassists. He has recorded with the likes of Tori Amos, Vince Neil, Tracy Chapman, Lee Ritenour, Dave Grusin, Vinnie Colaiuta, Tom Scott, John Tesh, The Crusaders, Al Stewart, Vital Information, Brian Hughes, Marc Jordan, Beyonce, Gladys Knight, Taylor Hawkins, Loreena McKennitt, etc. Tim is also a Grammy and Dove Award-nominated record producer and songwriter and was recently a member of the short lived but highly acclaimed Crimson Jazz Trio before drummer Ian Wallace's untimely death in 2007

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453
Album Review

Crimson Jazz Trio: King Crimson Songbook Volume 2

Read "King Crimson Songbook Volume 2" reviewed by John Kelman


It's nothing new to take contemporary popular music and interpret it in a jazz context, but few groups are formed around the singular premise of exploring just one group. The Crimson Jazz Trio (CJ3)--pianist Jody Nardone, bassist Tim Landers and drummer Ian Wallace (the trio's formative drive and direct link to King Crimson, playing on the often undervalued Islands (Island, 1971))--hit relative pay dirt with The King Crimson Songbook Volume One (DGM Live, 2005). Wallace's unexpected passing in February, 2007 ...

294
Album Review

The Crimson Jazz Trio: The King Crimson Songbook Volume One

Read "The King Crimson Songbook Volume One" reviewed by John Kelman


With all manner of jazz musicians reinventing the music of contemporary pop artists today, it's inevitable that somebody would decide to take a close look at the cream of progressive rock, reinventing it in a more decidedly jazz context. If artists like Brad Mehldau can reshape Radiohead, then why not re-examine King Crimson, a seminal influence? Enter Ian Wallace, drummer for the Crimson incarnation that released Islands (Island, 1971). While on tour in 2004 with 21st Century ...

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