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Trevor Tomkins' Sextant: For Future Reference
by Chris May
A 2-CD collection of four sessions recorded for BBC Radio between 1980 and 1983, For Future Reference is a snapshot, just one of many snapshots that might be taken, of British jazz in the period immediately before the so-called jazz boom" of the mid to late 1980s. That boom was marked by an acknowledgement of the dancefloor, the greater visibility of musicians with roots in the African diaspora, and a willingness, even eagerness, by those musicians to publicly affirm the ...
read moreThe Don Rendell / Ian Carr Quintet: Warm Up
by Chris May
British modern jazz was gaining new confidence in itself in 1965, when Warm Up, subtitled The Complete Live At The Highwayman 1965, was recorded. It needed to be. As Simon Spillett writes in his liner notes, at the time British jazzmen bravely fought a battle on two fronts, one against the stranglehold of American influence, the other against the Beatles." British jazzwomen, of course, were fighting on three fronts; but we can discuss that another time. A fourth front, fought ...
read moreHenry Lowther's Quarternity: Never Never Land
by Chris May
The British trumpeter and composer Henry Lowther, who first made an impact in the 1960s and released the well received album Can't Believe, Won't Believe (Village Life) in 2018, came to jazz via a circuitous route. After playing cornet in a provincial Salvation Army band, he moved to London around 1960 to study violin at the Royal Academy of Music. While a student, he encountered improvised Indian music and albums by Sonny Rollins, discoveries which encouraged him to commit to ...
read moreDon Rendell / Ian Carr Quintet: Blue Beginnings
by Chris May
Summer 2021 is proving to be the summer British jazz delved into its mid 1960s through mid 1970s album back catalogue and previously unreleased tape archive, with both major and specialist labels such as Jazz In Britain joining in the party. The spur to action is, of course, the new and unprecedented popularity of British jazz at home and abroad. The key to placing Blue Beginnings in its historical context is a quote from a contemporary review ...
read moreDon Rendell Quintet: Space Walk
by Chris May
As British jazz reaches new and unprecedented peaks of popularity, major labels are revisiting their vaults and rereleasing artistically enduring but long unavailable albums. Universal/Decca's British Jazz Explosion: Originals Re-Cut is the most ambitious of such reissue programs to be announced so far in 2021. It concentrates on the years 1965 -1972, a pivotal period in the coming of age of British jazz and one which continues to inspire the generation of young radicals who are making their mark in ...
read moreNeil Ardley: Kaleidoscope Of Rainbows Live '75
by Chris May
One of the more obscure but loftiest masterpieces of British jazz, composer Neil Ardley's long-form suite Kaleidoscope Of Rainbows was released on the tiny Gull Records label in 1976. Its beauty and vitality have remained absolutely unsullied by the passing years and the album has been reissued a couple of times, most recently on Dusk Fire in 2005. In March 2021, the album has been joined by a previously unreleased live recording made at London's Queen Elizabeth Hall a year ...
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