Vic Rawlings (Boston- amplifier/ prepared cello, speaker elements/ exposed circuitry) employs a still and unstable sound language that traverses from the visceral excess of the Laurence Cook Disaster Unit to the extreme austerity of undr quartet. He has designed and built 2 separate instruments to realize this aesthetic, including extensive and invasive cello preparations- some directly based on obscure baroque instrumentation. The amplified cello is used as a resonant wooden microphone. He also continually develops an electronic instrument from the exposed circuit boards of sound processors, effectively producing an analog synthesizer with a highly unstable interface. This electronic instrument is realized by a flexible array of exposed speaker elements, chosen for their often unpredictable and idiosyncratic acoustic qualities. His solo performances deny conventional assumptions about the use of time and refuse alliance with dominant trends in improvised music.
“…various scrapings, bangings and silences so deep
and wide you could steer a submarine through
them. Rawlings employs feedback circuitry
and a lab assistant’s attention to detail.”
Keith Moline, The Wire
The listener, once caught up in Rawlings' art, is taken undersea not knowing
when he can catch a breath. This arbiter of sonic chance and opportunity
blesses us with a mad and illuminating adventure.
Gordon Marshall, AAJ
Willing to teach
I play and teach music professionally. I enjoy working with students at all ages and levels, and I have been teaching professionally since 1989, full-time since the late 1990’s. Beginners are encouraged at any age. I have extensive experience working with children.
What I do/ have done:
I am a multi-instrumentalist fluent in many styles on the guitar, bass, banjo, mandolin, ukulele, and tenor banjo. I have played in live bands and on recordings ranging from rock, classic country and blues to various forms of pop, metal, punk, noise, and free improvisation